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»Ei» on parempi kuin »kyllä»

Por: Tipo de material: TextoIdioma: fi Editor: Salt Lake City, UT : Project Gutenberg, 2025Descripción: 1 online resource : multiple file formatsTipo de contenido:
  • text
Tipo de medio:
  • computer
Tipo de soporte:
  • online resource
Títulos uniformes:
  • Nei. Finnish
Tema(s): Clasificación LoC:
  • PT
Recursos en línea: Créditos de producción:
  • Tapio Riikonen
Resumen: "»Ei» on parempi kuin »kyllä» : 1-näytöksinen laulunäytelmä by J. L. Heiberg" is a one-act musical comedy (vaudeville) written in the early to mid-19th century. In this Finnish setting, the play gently satirizes courtship, matchmaking, and social calculation, showing how a well‑timed “no” can outdo any “yes.” The story follows Gamstrup, a stern guardian; his spirited niece Sofia; Halme, a young law graduate lodging in their home; and Liima, an earnest organist. Halme plans to placate his father by proposing to a wealthy cousin, expecting a refusal, while quietly courting Sofia. Liima arrives to borrow finery—and Halme’s help—to woo an unnamed bride who proves to be Sofia herself. Primed by Halme, Sofia answers every question with “no,” sending Liima away crestfallen. When Gamstrup orders her to reply “no” to Halme as well, Halme returns jubilant: his cousin’s engagement has triggered a handsome inheritance, removing all obstacles. He cleverly frames his questions so Sofia’s repeated “no” affirms her love and consent, winning Gamstrup’s blessing; Liima bows out, and the finale proclaims that sometimes “no” is better than “yes.” (This is an automatically generated summary.)
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Release date is 2025-06-21

Tapio Riikonen

"»Ei» on parempi kuin »kyllä» : 1-näytöksinen laulunäytelmä by J. L. Heiberg" is a one-act musical comedy (vaudeville) written in the early to mid-19th century. In this Finnish setting, the play gently satirizes courtship, matchmaking, and social calculation, showing how a well‑timed “no” can outdo any “yes.” The story follows Gamstrup, a stern guardian; his spirited niece Sofia; Halme, a young law graduate lodging in their home; and Liima, an earnest organist. Halme plans to placate his father by proposing to a wealthy cousin, expecting a refusal, while quietly courting Sofia. Liima arrives to borrow finery—and Halme’s help—to woo an unnamed bride who proves to be Sofia herself. Primed by Halme, Sofia answers every question with “no,” sending Liima away crestfallen. When Gamstrup orders her to reply “no” to Halme as well, Halme returns jubilant: his cousin’s engagement has triggered a handsome inheritance, removing all obstacles. He cleverly frames his questions so Sofia’s repeated “no” affirms her love and consent, winning Gamstrup’s blessing; Liima bows out, and the finale proclaims that sometimes “no” is better than “yes.” (This is an automatically generated summary.)

Originally published: Jyväskylä: K. J. Gummerus Oy, 1926

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