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Mitä on taide?

Por: Colaborador(es): Tipo de material: TextoIdioma: fi Editor: Salt Lake City, UT : Project Gutenberg, 2025Descripción: 1 online resource : multiple file formatsTipo de contenido:
  • text
Tipo de medio:
  • computer
Tipo de soporte:
  • online resource
Tema(s): Clasificación LoC:
  • BH
Recursos en línea: Créditos de producción:
  • Juhani Kärkkäinen and Tapio Riikonen
Resumen: "Mitä on taide?" by graf Leo Tolstoy is a philosophical treatise written in the late 19th century. It examines what art is, why it matters, and whom it should serve, sharply challenging the era’s worship of “beauty” and the prestige institutions of opera, ballet, museums, and criticism. The work pushes toward an ethical, socially grounded understanding of art rather than elite entertainment. The opening of the work portrays a world saturated with arts coverage and lavishly funded cultural institutions, then contrasts this with the exhausting, demeaning labor behind a fashionable opera rehearsal—petty tyrannies, empty spectacle, and a trivial, artificial plot—while calling ballet’s erotic display immoral. From there it asks who benefits from such “art,” whether its vast costs are justified, and why criticism is so contradictory. It questions the common identification of art with “beauty,” noting how the term stretches absurdly to cooking, dress, and even smell and touch, and then surveys a cacophony of aesthetic theories (from Baumgarten and Winckelmann through Kant, Schiller, Fichte, Schelling, Hegel, Herbart, Schopenhauer, and others) to show their incompatibility and obscurity. The start thus sets up a rigorous inquiry by demonstrating that current definitions of art and beauty are confused, unstable, and ethically unmoored. (This is an automatically generated summary.)
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Translation of: Что такое искусство? (Chto takoe iskusstvo?)

Wikipedia page about this book: https://fi.wikipedia.org/wiki/Mit%C3%A4_on_taide%3F

Release date is 2025-10-03

Juhani Kärkkäinen and Tapio Riikonen

"Mitä on taide?" by graf Leo Tolstoy is a philosophical treatise written in the late 19th century. It examines what art is, why it matters, and whom it should serve, sharply challenging the era’s worship of “beauty” and the prestige institutions of opera, ballet, museums, and criticism. The work pushes toward an ethical, socially grounded understanding of art rather than elite entertainment. The opening of the work portrays a world saturated with arts coverage and lavishly funded cultural institutions, then contrasts this with the exhausting, demeaning labor behind a fashionable opera rehearsal—petty tyrannies, empty spectacle, and a trivial, artificial plot—while calling ballet’s erotic display immoral. From there it asks who benefits from such “art,” whether its vast costs are justified, and why criticism is so contradictory. It questions the common identification of art with “beauty,” noting how the term stretches absurdly to cooking, dress, and even smell and touch, and then surveys a cacophony of aesthetic theories (from Baumgarten and Winckelmann through Kant, Schiller, Fichte, Schelling, Hegel, Herbart, Schopenhauer, and others) to show their incompatibility and obscurity. The start thus sets up a rigorous inquiry by demonstrating that current definitions of art and beauty are confused, unstable, and ethically unmoored. (This is an automatically generated summary.)

Originally published: Porvoo: Werner Söderström, 1898

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