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Secrets d'État

Por: Tipo de material: TextoIdioma: fr Editor: Salt Lake City, UT : Project Gutenberg, 2026Descripción: 1 online resource : multiple file formatsTipo de contenido:
  • text
Tipo de medio:
  • computer
Tipo de soporte:
  • online resource
Tema(s): Clasificación LoC:
  • PQ
Recursos en línea: Créditos de producción:
  • Laurent Vogel (This book was produced from scanned images of public domain material from the Google Books project.)
Resumen: "Secrets d'État" by Tristan Bernard is a novel written in the early 20th century. It follows a witty, observant Frenchman drawn into the court of a fictional central-European state, where he navigates the hidden pressures between an intelligent, elusive king, a formidable prime minister, and a candid young diplomat in love with a court lady. Expect court intrigue, political satire, and questions of loyalty and conscience set against a polished, ceremonial world. The opening of the novel frames a Paris writer-narrator being hounded by a red‑haired fixer to turn a packet of notes into a book, prompting him to begin the tale. He recalls his leap from shabby Latin Quarter tutor to a discreet court post in Bergensland, thanks to a German tailor’s connection with the embassy. On the train he befriends Henry, comte de Tolberg, who sketches the regime—an unseen yet revered king, the dominating baron de Herner, a compliant parliament—and confides his love for Bertha, whose divorce Herner obstructs. In Schoenburg, the narrator endures the blustering tutor Bölmöller, is installed at the palace, and is welcomed by Herner, who tasks him with analyzing French press and tracking socialist currents and émigrés. A dinner at Herner’s house reveals the court’s texture; soon after, the narrator meets King Charles XVI, bonds with him over literature, and notices the king’s discreet confidant, the comte de Herrenstein. With freedom to dine in town (and a light affair with a female bandleader), he settles into routine until the king summons him again. There, troubled by having upheld a soldier’s execution at Herner’s urging, the king voices a powerful condemnation of capital punishment and war, while Herrenstein’s somber music underlines the story’s blend of political maneuvering and private scruple. (This is an automatically generated summary.)
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Release date is 2026-03-08

Laurent Vogel (This book was produced from scanned images of public domain material from the Google Books project.)

"Secrets d'État" by Tristan Bernard is a novel written in the early 20th century. It follows a witty, observant Frenchman drawn into the court of a fictional central-European state, where he navigates the hidden pressures between an intelligent, elusive king, a formidable prime minister, and a candid young diplomat in love with a court lady. Expect court intrigue, political satire, and questions of loyalty and conscience set against a polished, ceremonial world.

The opening of the novel frames a Paris writer-narrator being hounded by a red‑haired fixer to turn a packet of notes into a book, prompting him to begin the tale. He recalls his leap from shabby Latin Quarter tutor to a discreet court post in Bergensland, thanks to a German tailor’s connection with the embassy. On the train he befriends Henry, comte de Tolberg, who sketches the regime—an unseen yet revered king, the dominating baron de Herner, a compliant parliament—and confides his love for Bertha, whose divorce Herner obstructs. In Schoenburg, the narrator endures the blustering tutor Bölmöller, is installed at the palace, and is welcomed by Herner, who tasks him with analyzing French press and tracking socialist currents and émigrés. A dinner at Herner’s house reveals the court’s texture; soon after, the narrator meets King Charles XVI, bonds with him over literature, and notices the king’s discreet confidant, the comte de Herrenstein. With freedom to dine in town (and a light affair with a female bandleader), he settles into routine until the king summons him again. There, troubled by having upheld a soldier’s execution at Herner’s urging, the king voices a powerful condemnation of capital punishment and war, while Herrenstein’s somber music underlines the story’s blend of political maneuvering and private scruple. (This is an automatically generated summary.)

Originally published: Paris: Édition du Monde Illustré, 1908

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