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The Principles of Aesthetics

Por: Tipo de material: TextoIdioma: en Editor: Salt Lake City, UT : Project Gutenberg, 2004Descripción: 1 online resource : multiple file formatsTipo de contenido:
  • text
Tipo de medio:
  • computer
Tipo de soporte:
  • online resource
Tema(s): Clasificación LoC:
  • BH
Recursos en línea: Créditos de producción:
  • Produced by Scott Pfenninger, Juliet Sutherland, Charles Franks and the Online Distributed Proofreading Team
Resumen: "The Principles of Aesthetics" by De Witt H. Parker is a philosophical treatise written in the early 20th century that explores the nature and significance of art. The book aims to articulate a systematic understanding of aesthetics, bridging emotional appreciation and intellectual comprehension of beauty. It discusses the various aspects of art, aesthetic experiences, and their societal roles, appealing not only to students of philosophy but also to anyone interested in a deeper engagement with art. The opening of the work establishes its intent to clarify the often-misunderstood subject of aesthetics. Parker notes the general tendency for individuals to possess a feeling for beauty without the ability to articulate what beauty is or why certain things are deemed beautiful. He emphasizes an essential dichotomy between "feeling" and "knowing" in the appreciation of art, indicating a gap that the book aims to bridge. Parker outlines his methodological approach, combining scientific observation with a reflective, Socratic inquiry into the purpose and value of artistic expression, which he argues is vital for understanding art's role in human experience and culture. Through this introduction, the groundwork is laid for a comprehensive examination of artistic principles and aesthetic theory. (This is an automatically generated summary.)
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Release date is 2004-08-01

Produced by Scott Pfenninger, Juliet Sutherland, Charles Franks and the Online Distributed Proofreading Team

"The Principles of Aesthetics" by De Witt H. Parker is a philosophical treatise written in the early 20th century that explores the nature and significance of art. The book aims to articulate a systematic understanding of aesthetics, bridging emotional appreciation and intellectual comprehension of beauty. It discusses the various aspects of art, aesthetic experiences, and their societal roles, appealing not only to students of philosophy but also to anyone interested in a deeper engagement with art. The opening of the work establishes its intent to clarify the often-misunderstood subject of aesthetics. Parker notes the general tendency for individuals to possess a feeling for beauty without the ability to articulate what beauty is or why certain things are deemed beautiful. He emphasizes an essential dichotomy between "feeling" and "knowing" in the appreciation of art, indicating a gap that the book aims to bridge. Parker outlines his methodological approach, combining scientific observation with a reflective, Socratic inquiry into the purpose and value of artistic expression, which he argues is vital for understanding art's role in human experience and culture. Through this introduction, the groundwork is laid for a comprehensive examination of artistic principles and aesthetic theory. (This is an automatically generated summary.)

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