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In the Courts of Memory, 1858-1875; from Contemporary Letters

Por: Tipo de material: TextoIdioma: en Editor: Salt Lake City, UT : Project Gutenberg, 2004Descripción: 1 online resource : multiple file formatsTipo de contenido:
  • text
Tipo de medio:
  • computer
Tipo de soporte:
  • online resource
Tema(s): Clasificación LoC:
  • DC
Recursos en línea: Créditos de producción:
  • This eBook was produced by Anne Soulard, Charles Franks and the Online Distributed Proofreading Team
Resumen: "In the Courts of Memory, 1858-1875; from Contemporary Letters" by L. de Hegermann-Lindencrone is a collection of personal letters written during the mid-19th century. The letters, penned by the author to her mother and aunt, provide an intimate glimpse into her life, especially highlighting the cultural and social milieu of the last Napoleonic court in France, involving prominent figures from the musical world and beyond. The opening of the book establishes the author's background and social connections, introducing her as Lillie Greenough, an American who becomes Madame Charles Moulton upon her marriage. It begins with her reflections on her schooling and notable professors, such as Louis Agassiz, while transitioning into her budding career as a singer. The letters convey her experiences growing up in a privileged environment, her participation in the vibrant cultural scene of Paris, and connections with influential figures, including composers and royalty. Through her correspondence, readers gain insight into her aspirations, social events, and the broader historical context surrounding her life, setting the stage for a rich narrative intertwined with the events of her time. (This is an automatically generated summary.)
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Release date is 2004-12-01

This eBook was produced by Anne Soulard, Charles Franks and the Online Distributed Proofreading Team

"In the Courts of Memory, 1858-1875; from Contemporary Letters" by L. de Hegermann-Lindencrone is a collection of personal letters written during the mid-19th century. The letters, penned by the author to her mother and aunt, provide an intimate glimpse into her life, especially highlighting the cultural and social milieu of the last Napoleonic court in France, involving prominent figures from the musical world and beyond. The opening of the book establishes the author's background and social connections, introducing her as Lillie Greenough, an American who becomes Madame Charles Moulton upon her marriage. It begins with her reflections on her schooling and notable professors, such as Louis Agassiz, while transitioning into her budding career as a singer. The letters convey her experiences growing up in a privileged environment, her participation in the vibrant cultural scene of Paris, and connections with influential figures, including composers and royalty. Through her correspondence, readers gain insight into her aspirations, social events, and the broader historical context surrounding her life, setting the stage for a rich narrative intertwined with the events of her time. (This is an automatically generated summary.)

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