Imagen de Google Jackets

Alcools

Por: Tipo de material: TextoIdioma: fr Editor: Salt Lake City, UT : Project Gutenberg, 2005Descripción: 1 online resource : multiple file formatsTipo de contenido:
  • text
Tipo de medio:
  • computer
Tipo de soporte:
  • online resource
Tema(s): Clasificación LoC:
  • PQ
Recursos en línea: Créditos de producción:
  • Produced by Ebooks libres et gratuits; this text is also available at http://www.ebooksgratuits.com in Word format, Mobipocket Reader format, eReader format and Acrobat Reader format
Resumen: "Alcools" by Guillaume Apollinaire is a poetry collection published in 1913. Considered a manifesto of modern poetry upon its release, this work bridges Cubism and foreshadows Surrealism. The collection brings together poems composed between 1898 and 1912, drawing from Apollinaire's personal experiences—failed romances, travels through Germany, and time in prison. Most notably, Apollinaire eliminated all punctuation from the entire collection, letting rhythm and line breaks guide readers. This radical stylistic choice, combined with free verse and collage techniques, created a deliberately fragmented aesthetic that paralleled Cubist painting. (This is an automatically generated summary.)
Etiquetas de esta biblioteca: No hay etiquetas de esta biblioteca para este título. Ingresar para agregar etiquetas.
Valoración
    Valoración media: 0.0 (0 votos)
No hay ítems correspondientes a este registro

Wikipedia page about this book: https://en.wikipedia.org/wiki/Alcools Wikipedia page about this book: https://fr.wikipedia.org/wiki/Alcools_(Apollinaire)

Release date is 2005-03-25

Produced by Ebooks libres et gratuits; this text is also available at http://www.ebooksgratuits.com in Word format, Mobipocket Reader format, eReader format and Acrobat Reader format

"Alcools" by Guillaume Apollinaire is a poetry collection published in 1913. Considered a manifesto of modern poetry upon its release, this work bridges Cubism and foreshadows Surrealism. The collection brings together poems composed between 1898 and 1912, drawing from Apollinaire's personal experiences—failed romances, travels through Germany, and time in prison. Most notably, Apollinaire eliminated all punctuation from the entire collection, letting rhythm and line breaks guide readers. This radical stylistic choice, combined with free verse and collage techniques, created a deliberately fragmented aesthetic that paralleled Cubist painting. (This is an automatically generated summary.)

Original publication data not identified

No hay comentarios en este titulo.

para colocar un comentario.