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Noites de insomnia, offerecidas a quem não póde dormir. Nº 03 (de 12)

Por: Tipo de material: TextoIdioma: pt Editor: Salt Lake City, UT : Project Gutenberg, 2008Descripción: 1 online resource : multiple file formatsTipo de contenido:
  • text
Tipo de medio:
  • computer
Tipo de soporte:
  • online resource
Tema(s): Clasificación LoC:
  • PQ
Recursos en línea: Créditos de producción:
  • Produced by Pedro Saborano
Resumen: "Noites de Insomnia, oferecidas a quem não pode dormir. Nº 03 (de 12)" by Camillo Castello Branco is a collection of literary reflections and essays written in the late 19th century. The text explores various topics, rich with historical context and personal anecdotes, likely revolving around the author’s thoughts on music, literature, and notable figures from Portuguese history, including references to classical literary themes. The opening of this work introduces the notion of insomnia experienced by the narrator, who reflects on past experiences and figures in Portuguese culture, including a poignant memory of a man lamenting the loss of friends from his past. The text weaves through narrative styles, touching on themes such as music's influence on royalty, critiques of historical theses, and biographical fragments that delve into the lives of notable figures like D. Manoel Godoy and Camões. The tone suggests a blend of nostalgia and critique, setting the stage for a deeper exploration of cultural memory and personal reflection throughout the publication. (This is an automatically generated summary.)
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Release date is 2008-03-30

Produced by Pedro Saborano

"Noites de Insomnia, oferecidas a quem não pode dormir. Nº 03 (de 12)" by Camillo Castello Branco is a collection of literary reflections and essays written in the late 19th century. The text explores various topics, rich with historical context and personal anecdotes, likely revolving around the author’s thoughts on music, literature, and notable figures from Portuguese history, including references to classical literary themes. The opening of this work introduces the notion of insomnia experienced by the narrator, who reflects on past experiences and figures in Portuguese culture, including a poignant memory of a man lamenting the loss of friends from his past. The text weaves through narrative styles, touching on themes such as music's influence on royalty, critiques of historical theses, and biographical fragments that delve into the lives of notable figures like D. Manoel Godoy and Camões. The tone suggests a blend of nostalgia and critique, setting the stage for a deeper exploration of cultural memory and personal reflection throughout the publication. (This is an automatically generated summary.)

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