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Lives of the Most Eminent Painters Sculptors and Architects, Vol. 01 (of 10) : Cimabue to Agnolo Gaddi

Por: Colaborador(es): Tipo de material: TextoIdioma: en Editor: Salt Lake City, UT : Project Gutenberg, 2008Descripción: 1 online resource : multiple file formatsTipo de contenido:
  • text
Tipo de medio:
  • computer
Tipo de soporte:
  • online resource
Tema(s): Clasificación LoC:
  • N
Recursos en línea: Créditos de producción:
  • Produced by Mark C. Orton and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries)
Resumen: "Lives of the Most Eminent Painters Sculptors and Architects, Vol. 01 (of 10)" by Giorgio Vasari is a series of artist biographies published in 1550, with a second edition in 1568. This groundbreaking work chronicles the lives of Italian Renaissance painters, sculptors, and architects, establishing the genre of art history writing. Vasari combines technical insights with colorful anecdotes and gossip about artists from Giotto to his own contemporaries. Though criticized for favoring Florentine artists and containing factual inaccuracies, it remains the most influential and widely read art history text of its era. (This is an automatically generated summary.)
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Wikipedia page about this book: https://en.wikipedia.org/wiki/Lives_of_the_Most_Excellent_Painters,_Sculptors,_and_Architects

Release date is 2008-05-05

Produced by Mark C. Orton and the Online Distributed
Proofreading Team at https://www.pgdp.net (This file was
produced from images generously made available by The
Internet Archive/Canadian Libraries)

"Lives of the Most Eminent Painters Sculptors and Architects, Vol. 01 (of 10)" by Giorgio Vasari is a series of artist biographies published in 1550, with a second edition in 1568. This groundbreaking work chronicles the lives of Italian Renaissance painters, sculptors, and architects, establishing the genre of art history writing. Vasari combines technical insights with colorful anecdotes and gossip about artists from Giotto to his own contemporaries. Though criticized for favoring Florentine artists and containing factual inaccuracies, it remains the most influential and widely read art history text of its era. (This is an automatically generated summary.)

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