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Punch, or the London Charivari, Vol. 104, May 20, 1893

Por: Colaborador(es): Tipo de material: TextoIdioma: en Editor: Salt Lake City, UT : Project Gutenberg, 2008Descripción: 1 online resource : multiple file formatsTipo de contenido:
  • text
Tipo de medio:
  • computer
Tipo de soporte:
  • online resource
Tema(s): Clasificación LoC:
  • AP
Recursos en línea: Créditos de producción:
  • Produced by Lesley Halamek, Juliet Sutherland and the Online Distributed Proofreading Team at http://www.pgdp.net
Resumen: "Punch, or the London Charivari, Vol. 104, May 20, 1893" is a satirical magazine edited by Sir Francis Burnand, published during the late Victorian era. This book serves as a collection of humorous articles, sketches, and poems, reflecting the social norms, politics, and culture of the time. It likely addresses various topics through wit and satire, providing insights into the public and political sentiments of the British society at the turn of the 19th century. The volume includes a variety of skits and commentaries, often poking fun at notable events and figures of the day. For example, the opening piece humorously recounts a grand event—the opening of the Imperial Institute—through the lens of an onlooker confused by the identities of dignitaries, which highlights the societal obsession with status and appearance. The magazine also features playful critiques of political issues, theatrical productions, and other aspects of contemporary life, showcasing a range of styles from light-hearted banter to sharp social commentary. Overall, it encapsulates the spirit of its time, presenting both entertainment and critique through its sharp humor and artistic illustrations. (This is an automatically generated summary.)
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Release date is 2008-10-04

Produced by Lesley Halamek, Juliet Sutherland and the
Online Distributed Proofreading Team at http://www.pgdp.net

"Punch, or the London Charivari, Vol. 104, May 20, 1893" is a satirical magazine edited by Sir Francis Burnand, published during the late Victorian era. This book serves as a collection of humorous articles, sketches, and poems, reflecting the social norms, politics, and culture of the time. It likely addresses various topics through wit and satire, providing insights into the public and political sentiments of the British society at the turn of the 19th century. The volume includes a variety of skits and commentaries, often poking fun at notable events and figures of the day. For example, the opening piece humorously recounts a grand event—the opening of the Imperial Institute—through the lens of an onlooker confused by the identities of dignitaries, which highlights the societal obsession with status and appearance. The magazine also features playful critiques of political issues, theatrical productions, and other aspects of contemporary life, showcasing a range of styles from light-hearted banter to sharp social commentary. Overall, it encapsulates the spirit of its time, presenting both entertainment and critique through its sharp humor and artistic illustrations. (This is an automatically generated summary.)

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