Imagen de Google Jackets

Studies in modern music, second series

Por: Tipo de material: TextoIdioma: en Editor: Salt Lake City, UT : Project Gutenberg, 2012Descripción: 1 online resource : multiple file formatsTipo de contenido:
  • text
Tipo de medio:
  • computer
Tipo de soporte:
  • online resource
Tema(s): Clasificación LoC:
  • ML
Recursos en línea: Créditos de producción:
  • Produced by Juliet Sutherland, Henry Flower and the Online Distributed Proofreading Team at http://www.pgdp.net
Resumen: "Studies in Modern Music, Second Series" by W. H. Hadow is a scholarly examination of influential composers, written in the early 20th century. The work focuses on notable figures in classical music, particularly Frederick Chopin, Antonin Dvořák, and Johannes Brahms, exploring their contributions to musical form, style, and aesthetics. Hadow delves into the psychological and emotional aspects of music appreciation, potentially appealing to readers interested in both classical music and its theoretical foundations. At the start of the book, Hadow introduces concepts related to musical appreciation, emphasizing the importance of understanding both subjective reactions and objective analysis in evaluating music. He argues against the notion that art should be above critical scrutiny, establishing a framework for examining how music evokes emotions and communicates beauty. This opening discourse sets the stage for deeper explorations into the lives and works of the featured composers, illustrating Hadow's intent to connect the intricacies of musical structure with broader artistic principles. (This is an automatically generated summary.)
Etiquetas de esta biblioteca: No hay etiquetas de esta biblioteca para este título. Ingresar para agregar etiquetas.
Valoración
    Valoración media: 0.0 (0 votos)
No hay ítems correspondientes a este registro

Release date is 2012-05-23

Produced by Juliet Sutherland, Henry Flower and the Online
Distributed Proofreading Team at http://www.pgdp.net

"Studies in Modern Music, Second Series" by W. H. Hadow is a scholarly examination of influential composers, written in the early 20th century. The work focuses on notable figures in classical music, particularly Frederick Chopin, Antonin Dvořák, and Johannes Brahms, exploring their contributions to musical form, style, and aesthetics. Hadow delves into the psychological and emotional aspects of music appreciation, potentially appealing to readers interested in both classical music and its theoretical foundations. At the start of the book, Hadow introduces concepts related to musical appreciation, emphasizing the importance of understanding both subjective reactions and objective analysis in evaluating music. He argues against the notion that art should be above critical scrutiny, establishing a framework for examining how music evokes emotions and communicates beauty. This opening discourse sets the stage for deeper explorations into the lives and works of the featured composers, illustrating Hadow's intent to connect the intricacies of musical structure with broader artistic principles. (This is an automatically generated summary.)

Original publication data not identified

No hay comentarios en este titulo.

para colocar un comentario.