Storia della musica (Registro nro. 103811)
[ vista simple ]
| 000 -LEADER | |
|---|---|
| fixed length control field | 03114cam a22003133u 4500 |
| 001 - CONTROL NUMBER | |
| control field | 62987 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | UtSlPG |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20260610134442.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS | |
| fixed length control field | m |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cr n |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 260607r2020||||utu|||||o|||||||||||||| d |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | UtSlPG |
| 041 #7 - LANGUAGE CODE | |
| Language code of text/sound track or separate title | it |
| Source of code | iso639-1 |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | ML |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Untersteiner, Alfredo, |
| Dates associated with a name | 1859-1918 |
| 245 10 - TITLE STATEMENT | |
| Title | Storia della musica |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Salt Lake City, UT : |
| Name of producer, publisher, distributor, manufacturer | Project Gutenberg, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2020 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 1 online resource : |
| Other physical details | multiple file formats |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Media type code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Carrier type code | cr |
| Source | rdacarrier |
| 500 ## - GENERAL NOTE | |
| General note | Release date is 2020-08-20 |
| 505 0# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Introduzione -- La musica dei Greci -- I primi secoli dell'Era cristiana -- I primordi dell'armonia: Ubaldo e Guido d'Arezzo -- La musica mensurale ed i precursori dei Fiamminghi -- I Fiamminghi -- Le canzoni popolari: Trovatori e Minnesänger -- L'«Ars nova» fiorentina ed il Rinascimento musicale in Italia -- Misteri e Passioni: Origine dell'opera -- Claudio Monteverdi e l'opera veneziana e napolitana -- L'opera francese, tedesca ed inglese -- Martin Lutero e la musica protestante: Bach e Händel -- La musica monodica da camera e l'arte del canto fino al sec. XIX: Teatri e decorazioni -- La musica istrumentale prima del secolo XIX -- Gluck e la riforma dell'opera -- Haydn; Mozart; Beethoven -- L'opera romantica e la grand'opera francese -- Gioachino Rossini e l'opera italiana del secolo XIX -- Francesco Schubert ed i romantici -- I rivoluzionari dell'arte -- Scuole nazionali -- La musica italiana, francese e tedesca dei nostri giorni -- L'ora presente -- Cantanti, virtuosi e scrittori di cose musicali. |
| 508 ## - CREATION/PRODUCTION CREDITS NOTE | |
| Creation/production credits note | Produced by Barbara Magni and the Online Distributed<br/>Proofreading Team at http://www.pgdp.net (This file was<br/>produced from images made available by The Internet Archive) |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | "Storia della musica" by Alfredo Untersteiner is a historical account written in the early 20th century. The work explores the evolution of music from ancient times through various cultural influences and key figures, examining both the theoretical and practical aspects of music's development throughout history. The opening of the book sets the stage for an in-depth examination of music's origins, comparing the complexities of studying music to understanding language. Untersteiner introduces the idea that music is an intrinsic part of human expression, more instinctive than verbal communication. He asserts that while early musical forms were likely intertwined with spiritual and religious practices, the absence of substantial historical documents makes it challenging to understand ancient music fully. The text begins to delve into the music of various ancient civilizations, including the Greeks and the Egyptians, establishing a foundation for the further exploration of music's progression in society. (This is an automatically generated summary.) |
| 534 ## - ORIGINAL VERSION NOTE | |
| Note about original | Original publication data not identified |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Music -- History and criticism |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://www.gutenberg.org/ebooks/62987">https://www.gutenberg.org/ebooks/62987</a> |
No hay ítems disponibles.