Propos de peintre, deuxième série: Dates : (Registro nro. 103953)
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| fixed length control field | 02897cam a22003133u 4500 |
| 001 - CONTROL NUMBER | |
| control field | 63129 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | UtSlPG |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20260610134444.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS | |
| fixed length control field | m |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cr n |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 260607r2020||||utu|||||o|||||||||||||| d |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | UtSlPG |
| 041 #7 - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fr |
| Source of code | iso639-1 |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | ND |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Blanche, Jacques-Émile, |
| Dates associated with a name | 1861-1942 |
| 245 10 - TITLE STATEMENT | |
| Title | Propos de peintre, deuxième série: Dates : |
| Remainder of title | Précédé d'une Réponse à la Préface de M. Marcel Proust au De David à Degas |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Salt Lake City, UT : |
| Name of producer, publisher, distributor, manufacturer | Project Gutenberg, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2020 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 1 online resource : |
| Other physical details | multiple file formats |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Media type code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Carrier type code | cr |
| Source | rdacarrier |
| 500 ## - GENERAL NOTE | |
| General note | Release date is 2020-09-05 |
| 505 0# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Dédicace et portrait liminaire -- Jean-Louis Forain -- Frédérick Watts -- Les Dames de la Grande-Rue (Berthe Morisot) -- Décoration de la cathédrale de Vich, par M. José Maria Sert -- Cent portraits de femmes -- Un week-end et Oscar Wilde -- Un bilan artistique de la grande saison de Paris -- La Musique -- Autour de Parsifal -- D'un carnet de voyage 1913 -- Appendice: Le Salon de la Société Nationale des Beaux-Arts 1908. Notes sur le Salon d'Automne. Préface au Catalogue d'une Exposition de peintres de Venise. Lettres de J.-E. Blanche, Gabriel Mourey et Frantz Jourdain. |
| 508 ## - CREATION/PRODUCTION CREDITS NOTE | |
| Creation/production credits note | Produced by Clarity and the Online Distributed Proofreading<br/>Team at https://www.pgdp.net (This file was produced from<br/>images generously made available by The Internet<br/>Archive/Canadian Libraries) |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | "Propos de peintre, deuxième série: Dates" by Jacques-Émile Blanche is a collection of artistic reflections and critiques written in the early 20th century. The work delves into the world of painting and notable artists, offering insights into their styles and significance, while also engaging with contemporary artistic movements through the lens of the author's personal experiences and memories. At the start of the work, Blanche sets the stage with a dedication to Marcel Proust, indicating a strong interrelationship between their works. The opening portion consists of a conversational preface where Blanche reflects on the nuances of art critique and his views on various artists, including Jean-Louis Forain. He emphasizes the duality of being both a painter and a critic, highlighting his admiration for the complexities of art and the artists behind it. Blanche intertwines personal anecdotes with critical observations, pointing out how the contemporary perception of artists can shift over time, as he considers the legacy of figures like Degas and Manet in contrast to their lesser-known contemporaries. (This is an automatically generated summary.) |
| 534 ## - ORIGINAL VERSION NOTE | |
| Note about original | Original publication data not identified |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Painters |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://www.gutenberg.org/ebooks/63129">https://www.gutenberg.org/ebooks/63129</a> |
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