Cubists and Post-Impressionism (Registro nro. 105759)

Detalles MARC
000 -LEADER
fixed length control field 02673cam a22003493u 4500
001 - CONTROL NUMBER
control field 64936
003 - CONTROL NUMBER IDENTIFIER
control field UtSlPG
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20260610134511.0
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS
fixed length control field m
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
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008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
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010 ## - LIBRARY OF CONGRESS CONTROL NUMBER
LC control number 14005277
040 ## - CATALOGING SOURCE
Original cataloging agency UtSlPG
041 #7 - LANGUAGE CODE
Language code of text/sound track or separate title en
Source of code iso639-1
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number ND
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Eddy, Arthur Jerome,
Dates associated with a name 1859-1920
245 10 - TITLE STATEMENT
Title Cubists and Post-Impressionism
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Salt Lake City, UT :
Name of producer, publisher, distributor, manufacturer Project Gutenberg,
Date of production, publication, distribution, manufacture, or copyright notice 2021
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource :
Other physical details multiple file formats
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Carrier type code cr
Source rdacarrier
500 ## - GENERAL NOTE
General note Release date is 2021-03-27
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note A sensation -- Post-Impressionism -- Les Fauves -- A futile protest -- What is Cubism? -- The theory of Cubism -- The new art in Munich -- Color music -- Esoragoto -- Ugliness -- Futurism -- Virile-Impressionism -- Sculpture -- In conclusion -- Appendix I: Exhibitions at 291 Fifth Avenue -- Appendix II: Two comments -- Bibliography.
508 ## - CREATION/PRODUCTION CREDITS NOTE
Creation/production credits note Turgut Dincer, Chuck Greif and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
520 ## - SUMMARY, ETC.
Summary, etc. "Cubists and Post-Impressionism" by Arthur Jerome Eddy is a historical account written in the early 20th century. The book explores the radical changes in the art world during the early 1900s, particularly focusing on the movements of Cubism and Post-Impressionism. It examines the reactions against Impressionism and the controversies that arose around new artistic expressions during this time, providing insights into the evolving nature of art and its critical reception. The opening of this work sets the stage for a discussion on the impact of the International Exhibition of Modern Art, held in New York and Chicago in 1913, which ignited debates about artistic innovation and originality. Eddy reflects on the significance of this exhibition in American art, highlighting the tensions between traditional forms and the emergence of new styles. He expresses the idea that art thrives on controversy, suggesting that the radical shifts towards Cubism and Post-Impressionism were essential for the evolution of the artistic landscape, urging readers to reconsider their views on what constitutes valuable art amidst the chaos of innovative forms. (This is an automatically generated summary.)
534 ## - ORIGINAL VERSION NOTE
Note about original Original publication data not identified
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Post-impressionism (Art)
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Cubism
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Impressionism (Art) -- 1910-
856 40 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://www.gutenberg.org/ebooks/64936">https://www.gutenberg.org/ebooks/64936</a>

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