The Seven Lively Arts (Registro nro. 107116)
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| fixed length control field | 03384cam a22004213u 4500 |
| 001 - CONTROL NUMBER | |
| control field | 66294 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | UtSlPG |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20260610134529.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS | |
| fixed length control field | m |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cr n |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 260607r2021||||utu|||||o|||||||||||||| d |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER | |
| LC control number | 24009374 |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | UtSlPG |
| 041 #7 - LANGUAGE CODE | |
| Language code of text/sound track or separate title | en |
| Source of code | iso639-1 |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | PN |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Seldes, Gilbert, |
| Dates associated with a name | 1893-1970 |
| 245 14 - TITLE STATEMENT | |
| Title | The Seven Lively Arts |
| 246 1# - VARYING FORM OF TITLE | |
| Title proper/short title | The 7 Lively Arts |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Salt Lake City, UT : |
| Name of producer, publisher, distributor, manufacturer | Project Gutenberg, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2021 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 1 online resource : |
| Other physical details | multiple file formats |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Media type code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Carrier type code | cr |
| Source | rdacarrier |
| 500 ## - GENERAL NOTE | |
| General note | Release date is 2021-09-13 |
| 505 0# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | The keystone the builders rejected -- "I am here to-day": Charlie Chaplin -- Say it with music -- Tearing a passion to ragtime -- Toujours jazz -- Mr. Dooley, meet Mr. Lardner -- A tribute to Florenz Ziegfeld -- The Darktown Strutters on Broadway -- Plan for a lyric theatre in America -- The one-man show -- The dæmonic in the American theatre -- These, too -- The "vulgar" comic strip -- The Krazy Kat that walks by himself -- The damned effrontery of the two-a-day -- They call it dancing -- St. Simeon stylites -- Burlesque, circus, clowns, and acrobats -- The true and inimitable kings of laughter -- The great god bogus -- An open letter to the movie magnates -- Before a picture by Picasso -- Appendices: Appendix to "I am here today". "Bananas" and other songs. Appendix to These, too..." The Krazy Kat ballet. Further note on the Fratellini. The cinema novel. Acknowledgments. |
| 508 ## - CREATION/PRODUCTION CREDITS NOTE | |
| Creation/production credits note | Tim Lindell, Charlie Howard, and the Online Distributed Proofreading Team at https://www.pgdp.net (This book was produced from images made available by the HathiTrust Digital Library.) |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | "The Seven Lively Arts" by Gilbert Seldes is a critical examination of various forms of American entertainment written in the early 20th century. The text explores how these lively arts, including vaudeville and film, were often dismissed by the cultural elite, yet they uniquely captured and reflected the spirit of their time. Through an affectionate lens, Seldes argues for their significance and artistic value, featuring noteworthy figures such as Charlie Chaplin. The opening of the book sets the tone for Seldes' exploration by addressing slapstick comedy and its place in American culture. He reflects on the origins and evolution of the Keystone comedies, emphasizing their distinctive charm and vitality despite critical neglect. Seldes acknowledges the influence of great comedic artists, particularly Mack Sennett and Chaplin, while critiquing the broader societal perceptions of comedy as a vulgar or unrefined art form. Through an insightful narrative, he positions slapstick and its creators within the larger artistic landscape of American culture, advocating for a deeper appreciation of the genre. (This is an automatically generated summary.) |
| 534 ## - ORIGINAL VERSION NOTE | |
| Note about original | Original publication data not identified |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | American wit and humor |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Motion pictures |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Music -- History and criticism |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Theater -- United States |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Dance |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Journalism |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | American wit and humor, Pictorial |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Circus |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://www.gutenberg.org/ebooks/66294">https://www.gutenberg.org/ebooks/66294</a> |
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