The soul of the moving picture (Registro nro. 113753)

Detalles MARC
000 -LEADER
fixed length control field 02231cam a22003253u 4500
001 - CONTROL NUMBER
control field 73028
003 - CONTROL NUMBER IDENTIFIER
control field UtSlPG
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20260610134705.0
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS
fixed length control field m
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
fixed length control field cr n
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 260607r20241924utu|||||o|||||||||||||| d
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER
LC control number 24023394
040 ## - CATALOGING SOURCE
Original cataloging agency UtSlPG
041 #7 - LANGUAGE CODE
Language code of text/sound track or separate title en
Source of code iso639-1
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number PN
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Bloem, Walter Julius,
Dates associated with a name 1898-1945
245 14 - TITLE STATEMENT
Title The soul of the moving picture
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Salt Lake City, UT :
Name of producer, publisher, distributor, manufacturer Project Gutenberg,
Date of production, publication, distribution, manufacture, or copyright notice 2024
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource :
Other physical details multiple file formats
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Carrier type code cr
Source rdacarrier
500 ## - GENERAL NOTE
General note Release date is 2024-02-26
520 ## - SUMMARY, ETC.
Summary, etc. "The Soul of the Moving Picture" by Walter S. Bloem is a critical examination of film as a new art form, likely written in the early 20th century. The book discusses the intricate relationship between the emotional essence of moving pictures and their narrative structures, advocating for the recognition of film as a legitimate artistic medium. Bloem explores various aspects of filmmaking, delving into the tools of the trade, the importance of gesture, and the intricate dynamics between art and commerce in the film industry. At the start of this work, the author establishes a strong premise about the significance of the moving picture in modern society, arguing that it has profoundly influenced the collective psyche of people across the globe. He recognizes the skepticism surrounding the nascent film industry from more traditional art sectors but argues passionately for its value, emphasizing the emotional power that films wield. The opening discusses the evolution of film, articulating the importance of feeling over intellect in creating impactful cinema, and sets the stage for a thorough exploration of cinematic techniques and artistic intentions in the subsequent chapters. (This is an automatically generated summary.)
534 ## - ORIGINAL VERSION NOTE
Introductory phrase Originally published:
Publication, distribution, etc. of original New York: E. P. Dutton & Company, 1924
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Motion pictures
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Porterfield, Allen Wilson,
Dates associated with a name 1877-1952
856 4# - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://archive.org/details/soulofmovingpict00bloe">https://archive.org/details/soulofmovingpict00bloe</a>
856 40 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://www.gutenberg.org/ebooks/73028">https://www.gutenberg.org/ebooks/73028</a>

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