Principles of literary criticism (Registro nro. 114552)
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| fixed length control field | 03275cam a22003253u 4500 |
| 001 - CONTROL NUMBER | |
| control field | 73827 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | UtSlPG |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20260610134716.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS | |
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| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cr n |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 260607r20241928utu|||||o|||||||||||||| d |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | UtSlPG |
| 041 #7 - LANGUAGE CODE | |
| Language code of text/sound track or separate title | en |
| Source of code | iso639-1 |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | PN |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Richards, I. A. |
| Fuller form of name | (Ivor Armstrong), |
| Dates associated with a name | 1893-1979 |
| 245 10 - TITLE STATEMENT | |
| Title | Principles of literary criticism |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Salt Lake City, UT : |
| Name of producer, publisher, distributor, manufacturer | Project Gutenberg, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2024 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 1 online resource : |
| Other physical details | multiple file formats |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Media type code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Carrier type code | cr |
| Source | rdacarrier |
| 500 ## - GENERAL NOTE | |
| General note | Release date is 2024-06-14 |
| 505 0# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | The chaos of critical theories -- The phantom æsthetic state -- The language of criticism -- Communication and the artist -- The critics' concern with value -- Value as an ultimate idea -- A psychological theory of value -- Art and morals -- Actual and possible misapprehensions -- Poetry for poetry's sake -- A sketch for a psychology -- Pleasure -- Emotion and the cœnesthesia -- Memory -- Attitudes -- The analysis of a poem -- Rhythm and metre -- On looking at a picture -- Sculpture and the construction of form -- The impasse of musical theory -- A theory of communication -- The availability of the poet's experience -- Tolstoy's infection theory -- The normality of the artist -- Badness in poetry -- Judgment and divergent readings -- Levels of response and the width of appeal -- The allusiveness of modern poetry -- Permanence as a criterion -- The definition of a poem -- Art, play, and civilisation -- The imagination -- Truth and revelation theories -- The two uses of language -- Poetry and beliefs -- Appendix A on value -- Appendix B on Mr. Eliot's poetry. |
| 508 ## - CREATION/PRODUCTION CREDITS NOTE | |
| Creation/production credits note | Lauren Prichard |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | "Principles of Literary Criticism" by I. A. Richards is a scholarly work on literary criticism written in the early 20th century. The book dissects various critical theories, positing that a comprehensive understanding of literature must be rooted in psychological principles and theories of value. Richards aims to clarify how we evaluate art, noting the importance of communication in all forms of artistic expression. The opening of the work serves as both an introduction and a commentary on the current state of critique in the arts. It points out the chaotic landscape of existing literary theories, where despite the accessibility of artistic experiences, there remains a lack of coherent understanding surrounding the value of these experiences. Richards critiques past and contemporary critics, suggesting that while they have made notable observations, they often fail to answer the fundamental question of what makes an artistic experience valuable. Instead of providing mere conjectures, he argues for a systematic exploration through psychology, aiming for a critical framework that can properly organize and evaluate artistic ventures. (This is an automatically generated summary.) |
| 534 ## - ORIGINAL VERSION NOTE | |
| Introductory phrase | Originally published: |
| Publication, distribution, etc. of original | United States: Harcourt, Brace and Company, 1928 |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Criticism |
| 856 4# - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://archive.org/details/principlesoflite0000rich_b0n0/page/n6/mode/1up">https://archive.org/details/principlesoflite0000rich_b0n0/page/n6/mode/1up</a> |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://www.gutenberg.org/ebooks/73827">https://www.gutenberg.org/ebooks/73827</a> |
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