Voyage musical au pays du passé (Registro nro. 116519)
[ vista simple ]
| 000 -LEADER | |
|---|---|
| fixed length control field | 03632cam a22003493u 4500 |
| 001 - CONTROL NUMBER | |
| control field | 75794 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | UtSlPG |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20260610134744.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS | |
| fixed length control field | m |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cr n |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 260607r20251920utu|||||o|||||||||||||| d |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER | |
| LC control number | 21003302 |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | UtSlPG |
| 041 #7 - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fr |
| Source of code | iso639-1 |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | ML |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Rolland, Romain, |
| Dates associated with a name | 1866-1944 |
| 245 10 - TITLE STATEMENT | |
| Title | Voyage musical au pays du passé |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Salt Lake City, UT : |
| Name of producer, publisher, distributor, manufacturer | Project Gutenberg, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2025 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 1 online resource : |
| Other physical details | multiple file formats |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Media type code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Carrier type code | cr |
| Source | rdacarrier |
| 500 ## - GENERAL NOTE | |
| General note | Release date is 2025-04-05 |
| 505 0# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Avant-propos -- Le roman comique d'un musicien, au XVIIIe siècle [Der Musicalische Quack Salber de J. Kuhnau] -- La vie musicale d'un amateur anglais au temps de Charles II, d'après le Journal de Pepys -- Portrait de Hændel -- Les origines du "style classique" dans la musique du XVIIIe siècle -- L'autobiographie d'un illstre oublié: Telemann, rival heureux de J.-S. Bach -- Métastase, précurseur de Gluck -- Voyage musical à travers l'Europe du XVIIIe siècle: I. Italie. II. Allemagne. |
| 508 ## - CREATION/PRODUCTION CREDITS NOTE | |
| Creation/production credits note | Pierre Lacaze and The Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | "Voyage musical au pays du passé" by Romain Rolland is a historical collection of musical essays written in the early 20th century. This work explores the development of music and its cultural context, drawing on biographical studies, satirical narratives, and firsthand accounts from various historical periods, particularly focusing on the transition to modern music. The book delves into the stories of influential but sometimes overlooked figures and trends in European music, aiming to revive interest in their contributions and to offer insight into the evolution of the musical landscape. The opening of "Voyage musical au pays du passé" begins with an avant-propos (foreword) in which Rolland explains that the collection continues his earlier exploration of musicians from past eras, highlighting especially the transitional figures of early 18th-century Europe who shaped the course of modern music. He argues for the importance of recognizing these "pioneers," such as Telemann and the symphonists of Mannheim, despite their contemporary obscurity. The main body starts with an in-depth study of Johann Kuhnau, a polymath and cantor, introduced both as an innovative composer and as a satirical novelist through his fictional work "Der Musicalische Quack-Salber." This section humorously recounts the adventures of a musical charlatan in baroque Germany, critiquing the era's fascination with Italian virtuosity and superficiality. Rolland then transitions to English musical life in the Restoration period, using Samuel Pepys's diary to paint a vivid picture of everyday musical practice and taste, blending anecdote and cultural commentary. The opening thus sets the tone for a rich, engaging journey through musical history, exploring not only leading composers but also social habits, institutions, and the shifting significance of music across European society. (This is an automatically generated summary.) |
| 534 ## - ORIGINAL VERSION NOTE | |
| Introductory phrase | Originally published: |
| Publication, distribution, etc. of original | Paris: Hachette, 1920 |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Composers -- Biography |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Music -- 18th century -- History and criticism |
| 856 4# - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://archive.org/details/voyagemusicalaup00roll">https://archive.org/details/voyagemusicalaup00roll</a> |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://www.gutenberg.org/ebooks/75794">https://www.gutenberg.org/ebooks/75794</a> |
No hay ítems disponibles.