Pyhä Yrjänä, eli Runous, rakkaus ja raha (Registro nro. 116996)

Detalles MARC
000 -LEADER
fixed length control field 02641cam a22003013u 4500
001 - CONTROL NUMBER
control field 76271
003 - CONTROL NUMBER IDENTIFIER
control field UtSlPG
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20260610134750.0
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS
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007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
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008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
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040 ## - CATALOGING SOURCE
Original cataloging agency UtSlPG
041 #7 - LANGUAGE CODE
Language code of text/sound track or separate title fi
Source of code iso639-1
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number PH
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Haarla, Lauri,
Dates associated with a name 1890-1944
245 10 - TITLE STATEMENT
Title Pyhä Yrjänä, eli Runous, rakkaus ja raha
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Salt Lake City, UT :
Name of producer, publisher, distributor, manufacturer Project Gutenberg,
Date of production, publication, distribution, manufacture, or copyright notice 2025
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource :
Other physical details multiple file formats
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Carrier type code cr
Source rdacarrier
500 ## - GENERAL NOTE
General note Release date is 2025-06-13
508 ## - CREATION/PRODUCTION CREDITS NOTE
Creation/production credits note Tapio Riikonen
520 ## - SUMMARY, ETC.
Summary, etc. "Pyhä Yrjänä, eli Runous, rakkaus ja raha: kolminäytöksinen huvinäytelmä" by Haarla is a three-act comedy play written in the early 20th century. It’s a sharp, metatheatrical satire where a penniless writer engineers a charity staging of the Saint George legend to pit poetry, love, and money against one another in a small-city milieu. The comedy revolves around the ambitious actor Eevert Urpia, the powerful mayor Adam Bilde, Bilde’s captivated wife Ruth, the exacting critic Ihanelma Palmu, and the barber–balladeer Polle, as desire and finance clash on and off the stage. Expect playful irreverence about cultural authority, sly plotting, and romantic entanglements that threaten public respectability. The opening of the play sets the scene in the mayor’s grand home, where the impoverished playwright Hans Korp spars with a vain actor, a cautious theater director, and a self-important critic, while secretly ferrying a note from Ruth to the actor Urpia. Spotting a chance to turn life into drama, Korp rewrites the pious Saint George pageant into a bolder love-and-revolt piece: during rehearsal the crowd (egged on by Lill’ Margit) cries down the “king,” Urpia’s Saint George openly woos Ruth-as-princess, and the enraged mayor storms in, vowing to fire Urpia. At the start of the second act in the “Nubia” restaurant, Polle pines for Lill’ Margit, Selma pleads and is rebuffed by Urpia, and Ruth arrives, determined to choose love; Korp insists they need cunning, not blunt confession, to outwit the mayor. He then stage-manages a farcical trap with Lill’ Margit on a sofa and Bilde arriving alone, a setup poised to compromise the mayor just as other guests begin to enter. (This is an automatically generated summary.)
534 ## - ORIGINAL VERSION NOTE
Introductory phrase Originally published:
Publication, distribution, etc. of original Helsinki: Otava, 1926
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Finnish drama -- 20th century
856 40 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://www.gutenberg.org/ebooks/76271">https://www.gutenberg.org/ebooks/76271</a>

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