The history of the harlequinade, volume 1 (of 2) (Registro nro. 117153)
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| fixed length control field | 03223cam a22003733u 4500 |
| 001 - CONTROL NUMBER | |
| control field | 76428 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | UtSlPG |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20260610134753.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS | |
| fixed length control field | m |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cr n |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 260607r20251915utu|||||o|||||||||||||| d |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | UtSlPG |
| 041 #7 - LANGUAGE CODE | |
| Language code of text/sound track or separate title | en |
| Source of code | iso639-1 |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | PQ |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Sand, Maurice, |
| Dates associated with a name | 1823-1889 |
| 245 14 - TITLE STATEMENT | |
| Title | The history of the harlequinade, volume 1 (of 2) |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Salt Lake City, UT : |
| Name of producer, publisher, distributor, manufacturer | Project Gutenberg, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2025 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 1 online resource : |
| Other physical details | multiple file formats |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Media type code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Carrier type code | cr |
| Source | rdacarrier |
| 500 ## - GENERAL NOTE | |
| General note | Translation of the first part of: Masques et bouffons. |
| 500 ## - GENERAL NOTE | |
| General note | Release date is 2025-07-02 |
| 508 ## - CREATION/PRODUCTION CREDITS NOTE | |
| Creation/production credits note | deaurider and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | "The history of the harlequinade, volume 1 (of 2)" by Maurice Sand is a historical study of theatre and performance written in the early 20th century. The work explores the lineage of the commedia dell’arte—its masks, costumes, improvisational methods, and touring troupes—tracing how figures like Harlequin, Pantaloon, Columbine, and Pierrot developed from ancient mime and Atellane farce through the Italian Renaissance and into French popular theatre. It focuses especially on Harlequin’s iconography, stagecraft, and shifting character, setting the scene for a detailed typology of the classic masks. At the start of this study, the author surveys a long prehistory: Greek mimes and dancers, Roman pantomime and masks, and the use of marionettes, showing how comic performance survived Church prohibitions to re-emerge in medieval and Renaissance Italy. He explains the scenari and improvisation of the commedia dell’arte, the stock roles and regional variants, the acoustics and staging of Renaissance theatres, and the spread of Italian troupes into France, where they influenced fairground stages and the Opéra-Comique amid legal quarrels with established companies. The introduction closes by narrowing the scope to the masks and improvisers themselves. The opening chapter then turns to Harlequin, beginning with a playful first-person monologue that sketches his poverty, gluttony, cowardice, agility, and amorous intrigues, before unpacking his probable descent from ancient phallophores and planipes, the evolution of his black half-mask, patchwork costume, bat, and rabbit-tail emblem, and the shift from simpleton to witty trickster. It culminates with the transformation of the role by the famed actor Domenico Biancolelli, whose lively dancing and invention helped fix the modern Harlequin. (This is an automatically generated summary.) |
| 534 ## - ORIGINAL VERSION NOTE | |
| Introductory phrase | Originally published: |
| Publication, distribution, etc. of original | London: Martin Secker, 1915 |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Pantomime |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Commedia dell'arte |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Italian drama (Comedy) -- History and criticism |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Comedy -- History and criticism |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Harlequin (Fictitious character) |
| 856 4# - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://archive.org/details/historyofharlequ01sanduoft">https://archive.org/details/historyofharlequ01sanduoft</a> |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://www.gutenberg.org/ebooks/76428">https://www.gutenberg.org/ebooks/76428</a> |
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