The history of the harlequinade, volume 2 (of 2) (Registro nro. 117154)
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| fixed length control field | 03163cam a22003733u 4500 |
| 001 - CONTROL NUMBER | |
| control field | 76429 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | UtSlPG |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20260610134753.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS | |
| fixed length control field | m |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cr n |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 260607r20251915utu|||||o|||||||||||||| d |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | UtSlPG |
| 041 #7 - LANGUAGE CODE | |
| Language code of text/sound track or separate title | en |
| Source of code | iso639-1 |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | PQ |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Sand, Maurice, |
| Dates associated with a name | 1823-1889 |
| 245 14 - TITLE STATEMENT | |
| Title | The history of the harlequinade, volume 2 (of 2) |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Salt Lake City, UT : |
| Name of producer, publisher, distributor, manufacturer | Project Gutenberg, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2025 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 1 online resource : |
| Other physical details | multiple file formats |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Media type code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Carrier type code | cr |
| Source | rdacarrier |
| 500 ## - GENERAL NOTE | |
| General note | Translation of the second part of: Masques et bouffons. |
| 500 ## - GENERAL NOTE | |
| General note | Release date is 2025-07-02 |
| 508 ## - CREATION/PRODUCTION CREDITS NOTE | |
| Creation/production credits note | deaurider and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | "The history of the harlequinade, volume 2 (of 2)" by Maurice Sand is a historical and theatrical study written in the mid-19th century. It explores the lineage, traits, costumes, and stage business of commedia dell’arte figures and their European offshoots, blending scholarship with anecdotes about performers and productions. This volume especially follows the “old man” masks (like Pantaloon and the Doctor), their transformations across regions, and the transition from improvised comedy toward musical theatre and the cantatrice. The opening of the book traces the comic “old man” archetype from Greek and Roman comedy to the Italian stage, then concentrates on Pantaloon—his Venetian roots, miserly and credulous temperament, stock scenes and pranks with Harlequin, social variants (from shabby shopkeeper to Don Pantaleone), costume shifts, and notable interpreters through the centuries. It next profiles related types: the Bolognese Doctor (pedant or quack, spouting macaronic Latin), Naples’s Pangrazio Biscegliese (a provincial butt), the miserly Cassandro, Rome’s polished puppet Cassandrino, Venice’s marionette Facanappa, Sicily’s Baron, and French counterparts like Gaultier-Garguille and Guillot-Gorju, always tying character to costume, dialect, and stage tradition. The narrative then turns to the Cantatrice, sketching how sung drama evolved from Greek choruses through Italian interludes into opera buffa, and how these forms mingled with comic masks; it recalls Mazarin’s importation of Italian opera to Paris, interlude business with Scaramouche, and emblematic performers from “Babet la Chanteuse” to Madame Favart, alongside lively anecdotes and composer namechecks that anchor the history in performance. (This is an automatically generated summary.) |
| 534 ## - ORIGINAL VERSION NOTE | |
| Introductory phrase | Originally published: |
| Publication, distribution, etc. of original | London: Martin Secker, 1915 |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Pantomime |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Commedia dell'arte |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Italian drama (Comedy) -- History and criticism |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Comedy -- History and criticism |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Harlequin (Fictitious character) |
| 856 4# - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://archive.org/details/historyofharlequ02sanduoft">https://archive.org/details/historyofharlequ02sanduoft</a> |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://www.gutenberg.org/ebooks/76429">https://www.gutenberg.org/ebooks/76429</a> |
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