Plays for small stages (Registro nro. 117262)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 03189cam a22003613u 4500 |
| 001 - CONTROL NUMBER | |
| control field | 76537 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | UtSlPG |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20260610134754.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS | |
| fixed length control field | m |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cr n |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 260607r20251915utu|||||o|||||||||||||| d |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER | |
| LC control number | 15026852 |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | UtSlPG |
| 041 #7 - LANGUAGE CODE | |
| Language code of text/sound track or separate title | en |
| Source of code | iso639-1 |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | PS |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Aldis, Mary, |
| Dates associated with a name | 1872-1949 |
| 245 10 - TITLE STATEMENT | |
| Title | Plays for small stages |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Salt Lake City, UT : |
| Name of producer, publisher, distributor, manufacturer | Project Gutenberg, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2025 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 1 online resource : |
| Other physical details | multiple file formats |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Media type code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Carrier type code | cr |
| Source | rdacarrier |
| 500 ## - GENERAL NOTE | |
| General note | The drama class of Tankaha, Nevada was "written in collaboration with Harriet Calhoun Moss." |
| 500 ## - GENERAL NOTE | |
| General note | Release date is 2025-07-20 |
| 505 0# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Mrs. Pat and the law -- The drama class of Tankaha, Nevada -- Extreme unction -- The letter -- Temperament. |
| 508 ## - CREATION/PRODUCTION CREDITS NOTE | |
| Creation/production credits note | The Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | "Plays for small stages" by Mary Aldis is a collection of one-act plays written in the early 20th century. Aimed at intimate, small venues and often performed by amateurs, the pieces blend humor and pathos to probe domestic strain, moral judgment, class and gender expectations, and the solace (and friction) of art. The characters are everyday people—a harried mother, clubwomen, a frightened patient, and conflicted men—drawn into sharp, talk-rich situations that reveal tenderness, folly, and quietly tragic choices. The opening of the collection sets the stage with a preface celebrating a Lake Forest amateur playhouse and its belief in talk-driven drama, ensemble spontaneity, and fresh, character-centered work. It then presents “Mrs. Pat and the Law,” where Nora O’Flaherty, urged by a visiting nurse to protect herself from her drunken husband, summons a policeman but retracts the charge when she sees Pat’s gentle bond with their crippled son, choosing love and hope over punishment. “The Drama Class of Tankaha, Nevada” follows a club meeting that hosts a bare-bones performance of Giacosa’s “Sacred Ground,” after which a spirited, fractious debate about marriage, secrets, and “Latin” versus “Teutonic” views of passion lays bare generational and moral divides. “Extreme Unction” places a dying prostitute’s terror and lack of remorse before a calm doctor who reframes death as a new discovery, easing her into rest. “The Letter” stages a midnight encounter between a widower and a novelist over a posthumous confession of love, ending with the novelist’s refusal to surrender the letter—an assertion of art’s claim to human truth—before the next piece, “Temperament,” begins. (This is an automatically generated summary.) |
| 534 ## - ORIGINAL VERSION NOTE | |
| Introductory phrase | Originally published: |
| Publication, distribution, etc. of original | New York: Duffield & Company, 1915 |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | American drama -- 20th century |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Moss, Harriet Calhoun, |
| Dates associated with a name | 1862-1936 |
| 856 4# - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://archive.org/details/playsforsmall00aldirich/page/n5/mode/2up">https://archive.org/details/playsforsmall00aldirich/page/n5/mode/2up</a> |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://www.gutenberg.org/ebooks/76537">https://www.gutenberg.org/ebooks/76537</a> |
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