The Attic theatre (Registro nro. 117280)
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| fixed length control field | 03524cam a22003613u 4500 |
| 001 - CONTROL NUMBER | |
| control field | 76555 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | UtSlPG |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20260610134754.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS | |
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| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cr n |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 260607r20251907utu|||||o|||||||||||||| d |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | UtSlPG |
| 041 #7 - LANGUAGE CODE | |
| Language code of text/sound track or separate title | en |
| Source of code | iso639-1 |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | PA |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Haigh, A. E. |
| Fuller form of name | (Arthur Elam), |
| Dates associated with a name | 1855-1905 |
| 245 14 - TITLE STATEMENT | |
| Title | The Attic theatre |
| 250 ## - EDITION STATEMENT | |
| Edition statement | Third edition, revised and in part re-written by A. W. Pickard-Cambridge. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Salt Lake City, UT : |
| Name of producer, publisher, distributor, manufacturer | Project Gutenberg, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2025 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 1 online resource : |
| Other physical details | multiple file formats |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Media type code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Carrier type code | cr |
| Source | rdacarrier |
| 500 ## - GENERAL NOTE | |
| General note | Release date is 2025-07-23 |
| 508 ## - CREATION/PRODUCTION CREDITS NOTE | |
| Creation/production credits note | deaurider and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | "The Attic theatre : a description of the stage and theatre of the Athenians,…." by A. E. Haigh is a scholarly historical study written in the late 19th century. It examines the physical theatres, staging practices, machinery, festivals, competitions, and personnel of Athenian drama, drawing on inscriptions, archaeological remains, and ancient texts. The work aims to reconstruct how Attic performances actually looked and operated, emphasizing institutional and technical details rather than literary criticism. The opening of the work sets out its purpose and method, explains the reliance on inscriptions, excavations, and scattered ancient notices, and notes how later revisions incorporate new finds and debates about stage-buildings and performance space. Prefaces review shifting scholarship (especially controversies around the Greek stage), additions of evidence and illustrations, and updated appendices; a contents overview maps chapters on contests, preparation, theatre architecture, scenery and machines, actors, chorus, audience, and inscriptions. The narrative then begins with the religious and civic character of Athenian drama, performed only at Dionysiac festivals and organized as state-run competitions with prizes and juries. It details the City Dionysia—its grand procession, dithyrambic contests by tribe, and tragic program of three poets each presenting three tragedies plus a satyr play (often in linked trilogies/tetralogies, especially under Aeschylus), later shifting to fewer new plays and occasional revivals. Comedy appears later at the City festival (three, then five poets, one play each) and eventually includes revivals chiefly from the New Comedy. The Lenaea is sketched as a smaller, winter, largely Athenian festival where comedy predominates, while Rural Dionysia feature widespread revivals across Attica and the Anthesteria has only minor performative elements. Finally, the selection and voting process for judges is described—carefully randomized and oath-bound, yet sometimes vulnerable to pressure and bribery—before the discussion breaks off. (This is an automatically generated summary.) |
| 534 ## - ORIGINAL VERSION NOTE | |
| Introductory phrase | Originally published: |
| Publication, distribution, etc. of original | Oxford: Henry Frowde, 1907 |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Greek drama -- History and criticism |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Theater -- Greece -- Athens -- History -- To 500 |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Athens (Greece) -- Intellectual life |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Pickard-Cambridge, Arthur Wallace, Sir, |
| Dates associated with a name | 1873-1952 |
| 856 4# - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://archive.org/details/3rdattictheatred00haiguoft">https://archive.org/details/3rdattictheatred00haiguoft</a> |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://www.gutenberg.org/ebooks/76555">https://www.gutenberg.org/ebooks/76555</a> |
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