The art of music, Vol. 06 (of 14) (Registro nro. 117319)
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| 001 - CONTROL NUMBER | |
| control field | 76594 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | UtSlPG |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20260610134755.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS | |
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| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cr n |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 260607r20251915utu|||||o|||||||||||||| d |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | UtSlPG |
| 041 #7 - LANGUAGE CODE | |
| Language code of text/sound track or separate title | en |
| Source of code | iso639-1 |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | ML |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Mason, Daniel Gregory, |
| Dates associated with a name | 1873-1953 |
| 245 14 - TITLE STATEMENT | |
| Title | The art of music, Vol. 06 (of 14) |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Salt Lake City, UT : |
| Name of producer, publisher, distributor, manufacturer | Project Gutenberg, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2025 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 1 online resource : |
| Other physical details | multiple file formats |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Media type code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Carrier type code | cr |
| Source | rdacarrier |
| 500 ## - GENERAL NOTE | |
| General note | Release date is 2025-07-30 |
| 508 ## - CREATION/PRODUCTION CREDITS NOTE | |
| Creation/production credits note | Andrés V. Galia, Jude Eylander and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | "The Art of Music, Vol. 06 (of 14): Choral and Church Music" by Rossetter G. Cole is a comprehensive historical survey and reference work written in the early 20th century. It examines the development of choral and church music from early Christian chant through medieval polyphony, the mass, motet, madrigal, cantata, and oratorio, up to then-contemporary practice, also treating the organ and national traditions. The focus is on musical forms, styles, and trends rather than on biographical portraiture, with analyses and classifications of a wide array of works. The opening of the volume sets its method and scope: Cole’s preface explains the need to condense a vast field, privileging the evolution of forms and styles over personalities, and acknowledging omissions (such as hymnology and some contemporaneous church topics) due to space. Frank Damrosch’s introduction frames choral singing as a communal art rooted in both church liturgy and folk-song, outlines its functions and types, and argues for disciplined leadership, singer training, and civic choruses as cultural assets. The first chapter then sketches early church music: the shift from congregational to clerical chant, the rise of the liturgical-musical alliance, and the codification and teaching of Gregorian chant (with Ambrose’s and Gregory’s roles), including sequences and tropes and their later pruning. It traces technical advances—neumes to staff notation, organum to discant to counterpoint (Hucbald, Guido, Franco)—and shows how secular song (troubadours, trouvères, minnesingers, mastersingers) and early forms like the chanson, frottola, and madrigal emerged alongside, highlighted by the English round “Sumer is icumen in.” The narrative closes by emphasizing how folk impulse and freedom in melody gradually influenced art-music, just as the next chapter turns to the polyphonic Netherland tradition. (This is an automatically generated summary.) |
| 534 ## - ORIGINAL VERSION NOTE | |
| Introductory phrase | Originally published: |
| Publication, distribution, etc. of original | New York: National Society of Music, 1915 |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Musicians |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Music -- History and criticism |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Cole, Rossetter G. |
| Fuller form of name | (Rossetter Gleason), |
| Dates associated with a name | 1866-1952 |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Damrosch, Frank, |
| Dates associated with a name | 1859-1937 |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Hall, Leland, |
| Dates associated with a name | 1883-1957 |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Hill, Edward Burlingame, |
| Dates associated with a name | 1872-1960 |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Saerchinger, César, |
| Dates associated with a name | 1889-1971 |
| 856 4# - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://archive.org/details/artofmusiccompre06maso">https://archive.org/details/artofmusiccompre06maso</a> |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://www.gutenberg.org/ebooks/76594">https://www.gutenberg.org/ebooks/76594</a> |
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