Pensées, maximes et fragments (Registro nro. 117330)
[ vista simple ]
| 000 -LEADER | |
|---|---|
| fixed length control field | 03591cam a22003493u 4500 |
| 001 - CONTROL NUMBER | |
| control field | 76605 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | UtSlPG |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20260610134755.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS | |
| fixed length control field | m |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cr n |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 260607r20251880utu|||||o|||||||||||||| d |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | UtSlPG |
| 041 #7 - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fr |
| Source of code | iso639-1 |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | B |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Schopenhauer, Arthur, |
| Dates associated with a name | 1788-1860 |
| 245 10 - TITLE STATEMENT | |
| Title | Pensées, maximes et fragments |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Salt Lake City, UT : |
| Name of producer, publisher, distributor, manufacturer | Project Gutenberg, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2025 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 1 online resource : |
| Other physical details | multiple file formats |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Media type code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Carrier type code | cr |
| Source | rdacarrier |
| 500 ## - GENERAL NOTE | |
| General note | "Traduit, annoté et précédé d'une vie de Schopenhauer par J. Bourdeau." |
| 500 ## - GENERAL NOTE | |
| General note | Release date is 2025-08-01 |
| 505 0# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | I. Les douleurs du monde et le mal de la vie -- II. L'amour, les femmes, le mariage -- III. Aphorismes sur l'homme, la vie, la société, la politique, l'art, la religion, etc. |
| 508 ## - CREATION/PRODUCTION CREDITS NOTE | |
| Creation/production credits note | Laurent Vogel and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by the Bibliothèque nationale de France (BnF/Gallica)) |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Pensées, maximes et fragments by Arthur Schopenhauer is a collection of philosophical aphorisms and fragments written in the mid-19th century. It distills a starkly pessimistic view of existence—pain as fundamental, pleasure as merely the absence of pain—alongside critiques of love, society, politics, religion, and culture, and it points toward compassion, resignation, and ascetic renunciation as the only real relief from the will. Framed for general readers, it couples bite-sized maxims with lucid, often caustic prose that lays out Schopenhauer’s ethics and metaphysics in accessible form. The opening of the volume unfolds with a substantial biographical preface by J. Bourdeau, sketching Schopenhauer’s life from his merchant family origins and wide travels to his studies under the spell of Kant and Plato, his failed Berlin lectures during Hegel’s ascendancy, his retreat to Frankfurt, and his disciplined, eccentric bachelor routines. It highlights his temperament (acerbic, fearful, combative), his late fame, his love of animals, his polemics against professors, theologians, demagogues, and romantic illusions, and the tension between his preached asceticism and his comfortable habits. The preface also notes his style, borrowings, and the “cult” that grew around him. After this, the first section, “Douleurs du monde,” lays out his core theses: existence is structured by suffering; pleasure is negative while pain is positive; life is a ceaseless struggle swinging between torment and boredom; human consciousness magnifies misery beyond that of animals; optimism and theodicies are untenable; and the world is best seen as a penal colony. The text contrasts the tragic arc of whole lives with the comic pettiness of daily detail, attacks the “best of all possible worlds” claim, and underscores the ubiquity of death and frustration. It then turns toward resignation and renunciation, introducing compassion that breaks the illusion of separateness and gestures toward ascetic quieting of the will as the path to deliverance. (This is an automatically generated summary.) |
| 534 ## - ORIGINAL VERSION NOTE | |
| Introductory phrase | Originally published: |
| Publication, distribution, etc. of original | Paris: Germer-Baillière et Cie, 1880 |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Philosophy, German -- 19th century |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Bourdeau, J. |
| Fuller form of name | (Jean), |
| Dates associated with a name | 1848-1928 |
| 856 4# - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://gallica.bnf.fr/ark:/12148/bd6t5371153q">https://gallica.bnf.fr/ark:/12148/bd6t5371153q</a> |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://www.gutenberg.org/ebooks/76605">https://www.gutenberg.org/ebooks/76605</a> |
No hay ítems disponibles.