Fundamentals of fiction writing (Registro nro. 117413)

Detalles MARC
000 -LEADER
fixed length control field 02548cam a22003253u 4500
001 - CONTROL NUMBER
control field 76688
003 - CONTROL NUMBER IDENTIFIER
control field UtSlPG
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20260610134756.0
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS
fixed length control field m
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
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008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 260607r20251922utu|||||o|||||||||||||| d
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER
LC control number 22018668
040 ## - CATALOGING SOURCE
Original cataloging agency UtSlPG
041 #7 - LANGUAGE CODE
Language code of text/sound track or separate title en
Source of code iso639-1
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number PN
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Hoffman, Arthur Sullivant,
Dates associated with a name 1876-1966
245 10 - TITLE STATEMENT
Title Fundamentals of fiction writing
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Salt Lake City, UT :
Name of producer, publisher, distributor, manufacturer Project Gutenberg,
Date of production, publication, distribution, manufacture, or copyright notice 2025
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource :
Other physical details multiple file formats
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Carrier type code cr
Source rdacarrier
500 ## - GENERAL NOTE
General note Release date is 2025-08-16
508 ## - CREATION/PRODUCTION CREDITS NOTE
Creation/production credits note Al Haines
520 ## - SUMMARY, ETC.
Summary, etc. "Fundamentals of fiction writing" by Arthur Sullivant Hoffman is a guidebook on writing fiction written in the early 20th century. It centers on how to craft stories that genuinely grip readers by creating and preserving an absorbing illusion. Emphasizing clarity, simplicity, and individuality over rigid technique, it offers practical, market-aware advice on plot, character, style, and audience. The opening of the book lays out the author’s purpose, credentials, and method: an editor’s-eye view that treats the reader as a core part of the art process. He argues that modern teaching overvalues technique and imitation, and that real success comes from simplicity, clearness, and maintaining the story’s illusion. He distinguishes straight fiction from fiction-as-vehicle (philosophy, instruction, sermon), warns how easily illusion is broken, and shares an illustrative writer’s letter rejecting formulaic “Ford-like” stories. He then proposes three audience strategies (ignore, target, or broaden) and urges writers to study real human reactions. Practical chapters catalog common breakers of illusion—unfamiliar words, foreign phrases, showy allusions, odd names, dialect, authorial intrusions, inconsistencies—and explain how to ensure clarity in names, dialogue, and scene logic. He also cautions against overstrain, advocating brevity, varied sentence length, relief scenes, and simpler plots (with special notes on frames and mystery stories), before moving into a discussion of convincingness. (This is an automatically generated summary.)
534 ## - ORIGINAL VERSION NOTE
Introductory phrase Originally published:
Publication, distribution, etc. of original Indianapolis: The Bobbs-Merrill Company, 1922
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Fiction -- Technique
856 4# - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://archive.org/details/artoffiction0000besa">https://archive.org/details/artoffiction0000besa</a>
856 40 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://www.gutenberg.org/ebooks/76688">https://www.gutenberg.org/ebooks/76688</a>

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