The new art of writing plays (Registro nro. 117444)

Detalles MARC
000 -LEADER
fixed length control field 02527cam a22003493u 4500
001 - CONTROL NUMBER
control field 76719
003 - CONTROL NUMBER IDENTIFIER
control field UtSlPG
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20260610134757.0
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS
fixed length control field m
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
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008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
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010 ## - LIBRARY OF CONGRESS CONTROL NUMBER
LC control number 15000309
040 ## - CATALOGING SOURCE
Original cataloging agency UtSlPG
041 #7 - LANGUAGE CODE
Language code of text/sound track or separate title en
Source of code iso639-1
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number PN
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Vega, Lope de,
Dates associated with a name 1562-1635
240 10 - UNIFORM TITLE
Uniform title Arte nuevo de hacer comedias. English
245 14 - TITLE STATEMENT
Title The new art of writing plays
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Salt Lake City, UT :
Name of producer, publisher, distributor, manufacturer Project Gutenberg,
Date of production, publication, distribution, manufacture, or copyright notice 2025
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource :
Other physical details multiple file formats
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Carrier type code cr
Source rdacarrier
500 ## - GENERAL NOTE
General note Release date is 2025-08-23
508 ## - CREATION/PRODUCTION CREDITS NOTE
Creation/production credits note Al Haines
520 ## - SUMMARY, ETC.
Summary, etc. "The new art of writing plays by Lope de Vega" is a dramaturgical treatise in verse from the Spanish Golden Age, likely the early 17th century. It outlines how to craft stage plays that satisfy audience taste while engaging with classical theory, blending practical stagecraft with a poet’s reflections on comedy and tragedy. The book opens with a contextual introduction that sets the author alongside the great innovators of popular theater and frames his core paradox: he knows the classical rules yet openly breaks them to please the paying crowd. The central poem addresses an academy, briefly surveys the origins of comedy and tragedy, and then offers concise, practice-first guidance: choose a single, coherent action; build plays in three acts; compress time where possible; keep the stage seldom empty; delay the resolution until the final moments; and mix tragic and comic tones for variety. It advises writing the plan in prose before versifying, matching speech to character and situation, and using distinct verse forms for different purposes (for lament, narration, high matters, or love). It favors themes of honor and virtue, warns against impossibilities and open satire, prescribes moderate length, and urges decorum and plausible costume. The author closes by acknowledging his own vast, rule-breaking output and defending it on the grounds that playwrights must live by pleasing the public. (This is an automatically generated summary.)
534 ## - ORIGINAL VERSION NOTE
Introductory phrase Originally published:
Publication, distribution, etc. of original New York: Dramatic Museum of Columbia University, 1914
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Drama -- Technique
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Matthews, Brander,
Dates associated with a name 1852-1929
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Brewster, W. T.
Fuller form of name (William Tenney),
Dates associated with a name 1869-1961
856 40 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://www.gutenberg.org/ebooks/76719">https://www.gutenberg.org/ebooks/76719</a>

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