Celtic art in Pagan and Christian times (Registro nro. 117458)
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| fixed length control field | 03482cam a22003493u 4500 |
| 001 - CONTROL NUMBER | |
| control field | 76733 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | UtSlPG |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20260610134757.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS | |
| fixed length control field | m |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cr n |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 260607r20251904utu|||||o|||||||||||||| d |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER | |
| LC control number | 05002783 |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | UtSlPG |
| 041 #7 - LANGUAGE CODE | |
| Language code of text/sound track or separate title | en |
| Source of code | iso639-1 |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | N |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Allen, J. Romilly |
| Fuller form of name | (John Romilly), |
| Dates associated with a name | 1847-1907 |
| 245 10 - TITLE STATEMENT | |
| Title | Celtic art in Pagan and Christian times |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Salt Lake City, UT : |
| Name of producer, publisher, distributor, manufacturer | Project Gutenberg, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2025 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 1 online resource : |
| Other physical details | multiple file formats |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Media type code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Carrier type code | cr |
| Source | rdacarrier |
| 490 1# - SERIES STATEMENT | |
| Series statement | The antiquary's books |
| 500 ## - GENERAL NOTE | |
| General note | Release date is 2025-08-26 |
| 508 ## - CREATION/PRODUCTION CREDITS NOTE | |
| Creation/production credits note | Charlene Taylor and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | "Celtic art in Pagan and Christian times" by J. Romilly Allen is a scholarly archaeological and art-historical study written in the early 20th century. It investigates the origins, development, and motifs of Celtic art in Britain and Ireland across two broad phases—pagan and Christian—set against Continental cultures such as Hallstatt and La Tène. Drawing on excavations, museum collections, and comparative ornament, the work explains how patterns like spirals, chevrons, and knotwork evolved and appeared on metalwork, pottery, sculpture, and, by analogy, illuminated manuscripts. The opening of the study states its aim to synthesize current evidence on Celtic art’s origins and growth, crediting recent discoveries (Aylesford, Glastonbury, Hunsbury; Hallstatt and La Tène; Marne cemeteries) for reshaping the timeline and sources of influence. It sketches the Celts in Classical literature and art, then pivots to archaeology to define the Hallstatt (earlier) and La Tène (later) Iron Age cultures, their weapons, fibulae, shields, helmets, and the role of Greek trade in shaping Gaulish styles; it also stresses the Celts’ habit of imitating foreign coinage. The narrative then traces how Goidelic Celts entered Bronze Age Britain, encountering Neolithic Iberian-like populations, and distinguishes Goidels and Brythons linguistically (Q vs P) and culturally (Bronze vs Early Iron Age), before proposing broad Bronze Age chronologies. At the start of the art discussion, the book catalogs the primary evidence—barrows, settlements, hoards, stray finds, and rock carvings—and shows how Bronze Age burial customs and pottery types (cinerary urns, food-vessels, drinking-cups, incense-cups) are decorated chiefly with chevron-based geometric schemes executed by impressing cords, tools, and stamps. It explains, with clear geometric breakdowns, how triangles, lozenges, saltires, and hexagon effects derive from the chevron, and contrasts these with spiral motifs found on carved stones (notably at Newgrange) rather than on British bronzes. The section closes by linking those spirals to Scandinavian Bronze Age metalwork, underscoring a web of Continental connections. (This is an automatically generated summary.) |
| 534 ## - ORIGINAL VERSION NOTE | |
| Introductory phrase | Originally published: |
| Publication, distribution, etc. of original | London: Methuen & Co., 1904 |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Art, Celtic |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE | |
| Uniform title | The antiquary's books |
| 856 4# - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://archive.org/details/celticartinpagan00alle_0/page/n7/mode/2up">https://archive.org/details/celticartinpagan00alle_0/page/n7/mode/2up</a> |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://www.gutenberg.org/ebooks/76733">https://www.gutenberg.org/ebooks/76733</a> |
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