On art and artists (Registro nro. 117473)
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| fixed length control field | 03792cam a22003733u 4500 |
| 001 - CONTROL NUMBER | |
| control field | 76748 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | UtSlPG |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20260610134757.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS | |
| fixed length control field | m |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cr n |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 260607r20251907utu|||||o|||||||||||||| d |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER | |
| LC control number | 07028523 |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | UtSlPG |
| 041 #7 - LANGUAGE CODE | |
| Language code of text/sound track or separate title | en |
| Source of code | iso639-1 |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | N |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Nordau, Max Simon, |
| Dates associated with a name | 1849-1923 |
| 245 10 - TITLE STATEMENT | |
| Title | On art and artists |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Salt Lake City, UT : |
| Name of producer, publisher, distributor, manufacturer | Project Gutenberg, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2025 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 1 online resource : |
| Other physical details | multiple file formats |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Media type code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Carrier type code | cr |
| Source | rdacarrier |
| 500 ## - GENERAL NOTE | |
| General note | Release date is 2025-08-28 |
| 505 0# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | The social mission of art -- Socialistic art: Constantin Meunier -- The question of style -- The old French masters -- A century of French art -- The school of 1830 -- The triumph of a revolution: The realists. Alfred Sisley. Camille Pissarro. Whistler's Psychology -- Gustave Moreau -- Eugène Carrière -- Puvis de Chavannes -- Bright and dark painting: Charles Cottet -- Physiognomies in painting -- Auguste Rodin -- Resurrection: Bartholomé -- Jean Carriès -- Works of art and art criticisms -- My own opinion. |
| 508 ## - CREATION/PRODUCTION CREDITS NOTE | |
| Creation/production credits note | Sean/IB@DP |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | "On art and artists" by Max Simon Nordau is a collection of art criticism essays written in the early 20th century. The work contends that art has an essential social mission, rejecting “art for art’s sake,” and argues that modern, democratic societies need art that dignifies labor and expands the inner life stunted by specialization. It combines theory with incisive case studies—from medieval French painters to modern sculptors and realists—to show how art has served religion, power, and, increasingly, the public, while critiquing fashionable movements that mistake novelty for substance. The opening of this work lays out a psychological and historical case against pure aestheticism: early art (from cave drawings to children’s sketches) may spring from private impulse, but as civilization develops, artists address audiences, patrons, and social needs. The author surveys how ancient, medieval, and Renaissance art served gods, rulers, and institutions; how modern criticism and public exhibitions shifted authority to critics and the crowd; and why, in an industrial age of extreme specialization, art should restore wholeness and self-respect—especially by ennobling work rather than wallowing in grim realism. He proposes “socialistic art” that arouses pity for the disinherited and reverence for honest labor, exemplified through vivid readings of Constantin Meunier’s miners, smiths, and reapers (while noting a few missteps), and links this to Millet’s moral gravity. A subsequent essay dissects style as the tension between construction (utility) and decoration (luxury), praising organic, meaning-rich ornament and critiquing mindless imitation and derivative “Secessionist” fashion. The opening then revisits medieval French masters, challenging the myth that French art merely copied Flemish or Italian models, highlighting naturalism in manuscript-derived painting, the greatness of Fouquet and the Master of Moulins, and the subtle, proto-revolutionary realism latent in sacred scenes, before turning to a century survey that begins to reassess eighteenth-century painters against the politics of taste. (This is an automatically generated summary.) |
| 534 ## - ORIGINAL VERSION NOTE | |
| Introductory phrase | Originally published: |
| Publication, distribution, etc. of original | London: T. Fisher Unwin, 1907 |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Art |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Degeneration |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Art -- France -- History |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Harvey, William Frederick, |
| Dates associated with a name | 1853- |
| 856 4# - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://archive.org/details/onartartists00nord/page/n7/mode/2up">https://archive.org/details/onartartists00nord/page/n7/mode/2up</a> |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://www.gutenberg.org/ebooks/76748">https://www.gutenberg.org/ebooks/76748</a> |
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