Arts and crafts of old Japan (Registro nro. 117555)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 03332cam a22003493u 4500 |
| 001 - CONTROL NUMBER | |
| control field | 76830 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | UtSlPG |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20260610134759.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS | |
| fixed length control field | m |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cr n |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 260607r20251906utu|||||o|||||||||||||| d |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | UtSlPG |
| 041 #7 - LANGUAGE CODE | |
| Language code of text/sound track or separate title | en |
| Source of code | iso639-1 |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | N |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Dick, Stewart, |
| Dates associated with a name | 1874-1944 |
| 245 10 - TITLE STATEMENT | |
| Title | Arts and crafts of old Japan |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Salt Lake City, UT : |
| Name of producer, publisher, distributor, manufacturer | Project Gutenberg, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2025 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 1 online resource : |
| Other physical details | multiple file formats |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Media type code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Carrier type code | cr |
| Source | rdacarrier |
| 490 1# - SERIES STATEMENT | |
| Series statement | The world of art series |
| 500 ## - GENERAL NOTE | |
| General note | Release date is 2025-09-06 |
| 505 0# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Introductory -- Painting -- Colour printing -- Sculpture and carving -- Metal work -- Keramics -- Lacquer -- Landscape gardening and the arrangement of flowers. |
| 508 ## - CREATION/PRODUCTION CREDITS NOTE | |
| Creation/production credits note | Richard Illner and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | "Arts and crafts of old Japan" by Stewart Dick is an introductory art history survey written in the early 20th century. Aimed at general readers rather than connoisseurs, it explains the aesthetics, materials, and methods behind Japan’s traditional arts, from painting and color prints to sculpture, metalwork, ceramics, lacquer, gardens, and flower arrangement. It sets these arts within their social and historical context, contrasting Japanese conventions with Western expectations and highlighting the key schools, masters, and techniques that shaped “old Japan.” The opening of Arts and crafts of old Japan sets out the author’s purpose, cautions against unreliable criticism, and names a few dependable authorities, then offers a broad introduction arguing that Japan’s refined aesthetic culture, calligraphic training, and lightweight architecture produced arts marked by suggestion, restraint, and superb design. It sketches Japan’s historical backdrop—from the arrival of Buddhism and temple-centered culture through samurai rule and Tokugawa peace to the disruptive contact with the West—before surveying painting’s forms, brush-based conventions, and major lineages (Buddhist imagery, Tosa/Yamato, the Chinese-influenced masters such as Sesshiu, the Kano school, Korin’s decorative originality, and the Ukioyé turn toward everyday life). The book then outlines the rise of color printing as a democratic art, its block-cutting and printing process, and its leading figures (Harunobu, Kiyonaga, Utamaro, Toyokuni, Hokusai, Hiroshige), noting later decline with aniline dyes; it proceeds to Buddhist sculpture in wood and bronze (including the colossal Buddhas of Nara and Kamakura), the shift to realistic portraits and netsuké miniatures, and finally to metalwork—temple bells, lanterns, mirrors, the Miochin armourers, and the sword tradition—pausing to describe casting methods and the ceremonial ethos of sword-forging. (This is an automatically generated summary.) |
| 534 ## - ORIGINAL VERSION NOTE | |
| Introductory phrase | Originally published: |
| Publication, distribution, etc. of original | London: T. N. Foulis, 1906 |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Art -- Japan |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE | |
| Uniform title | The world of art series |
| 856 4# - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://archive.org/details/cu31924075056246/">https://archive.org/details/cu31924075056246/</a> |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://www.gutenberg.org/ebooks/76830">https://www.gutenberg.org/ebooks/76830</a> |
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