The laws of contrast of colour (Registro nro. 117664)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 03038cam a22003613u 4500 |
| 001 - CONTROL NUMBER | |
| control field | 76939 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | UtSlPG |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20260610134800.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS | |
| fixed length control field | m |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cr n |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 260607r20251861utu|||||o|||||||||||||| d |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | UtSlPG |
| 041 #7 - LANGUAGE CODE | |
| Language code of text/sound track or separate title | en |
| Source of code | iso639-1 |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | ND |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Chevreul, M. E. |
| Fuller form of name | (Michel Eugène), |
| Dates associated with a name | 1786-1889 |
| 240 10 - UNIFORM TITLE | |
| Uniform title | De la loi du contraste simultané des couleurs. English |
| 245 14 - TITLE STATEMENT | |
| Title | The laws of contrast of colour |
| 246 1# - VARYING FORM OF TITLE | |
| Title proper/short title | Chevreul on colours |
| 250 ## - EDITION STATEMENT | |
| Edition statement | New [third?] edition |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Salt Lake City, UT : |
| Name of producer, publisher, distributor, manufacturer | Project Gutenberg, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2025 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 1 online resource : |
| Other physical details | multiple file formats |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Media type code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Carrier type code | cr |
| Source | rdacarrier |
| 500 ## - GENERAL NOTE | |
| General note | Release date is 2025-09-27 |
| 508 ## - CREATION/PRODUCTION CREDITS NOTE | |
| Creation/production credits note | Charlene Taylor and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | "The laws of contrast of colour : and their application to the arts of…." by M. E. Chevreul is a scientific treatise written in the mid-19th century. It sets out a rigorous theory of how adjacent colours alter one another in hue and tone, and applies these principles to painting, textiles, printing, architecture, dress, horticulture, and even military uniforms. Expect experiments, diagrams, and practical rules intended to replace vague “taste” with clear methods for creating harmonious and effective colour arrangements. The opening of the treatise moves from prefatory material into a clear statement of purpose: to explain and prove the law of simultaneous contrast and show its uses. After noting complaints about dyes at the Gobelins that led to his discovery, the author introduces the composition of white light and the idea of complementary colours, then defines simultaneous contrast (changes in both hue and tone when colours are seen side by side) and demonstrates it with simple paper-strip experiments. He formulates the general law—that adjacent colours appear as different as possible—derives its consequences with many colour pairs, and examines effects against white, black, and grey, stressing that chemical makeup of pigments doesn’t alter the optical result. He distinguishes simultaneous, successive, and mixed contrast and shows practical pitfalls (e.g., how viewing one colour biases judgment of the next), then begins the applications by defining tones, scales, and hues, proposing a chromatic diagram, outlining harmonies of analogy and contrast, and offering early guidance on assortments—especially colours with white and complementary pairings. (This is an automatically generated summary.) |
| 534 ## - ORIGINAL VERSION NOTE | |
| Introductory phrase | Originally published: |
| Publication, distribution, etc. of original | London: Routledge, Warne and Routledge, 1861 |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Color |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Spanton, John |
| 856 4# - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://archive.org/details/lawsofcontrastof00chev/page/n5/mode/2up">https://archive.org/details/lawsofcontrastof00chev/page/n5/mode/2up</a> |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://www.gutenberg.org/ebooks/76939">https://www.gutenberg.org/ebooks/76939</a> |
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