The claims of decorative art (Registro nro. 117871)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 03326cam a22003493u 4500 |
| 001 - CONTROL NUMBER | |
| control field | 77149 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | UtSlPG |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20260610134804.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS | |
| fixed length control field | m |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cr n |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 260607r2025||||utu|||||o|||||||||||||| d |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER | |
| LC control number | 16012599 |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | UtSlPG |
| 041 #7 - LANGUAGE CODE | |
| Language code of text/sound track or separate title | en |
| Source of code | iso639-1 |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | NK |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Crane, Walter, |
| Dates associated with a name | 1845-1915 |
| 245 14 - TITLE STATEMENT | |
| Title | The claims of decorative art |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Salt Lake City, UT : |
| Name of producer, publisher, distributor, manufacturer | Project Gutenberg, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2025 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 1 online resource : |
| Other physical details | multiple file formats |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Media type code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Carrier type code | cr |
| Source | rdacarrier |
| 500 ## - GENERAL NOTE | |
| General note | Illustrated by the author. |
| 500 ## - GENERAL NOTE | |
| General note | Release date is 2025-10-29 |
| 505 0# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | The claims of decorative art -- The architecture of art -- Figurative art -- Sculpture: from a decorator's point of view -- Painting at the present day: from a decorator's point of view -- On the structure and evolution of decorative pattern -- Art and labour -- Art and handicraft -- The prospects of art under socialism -- On the teaching of art -- Design in relation to use and material -- The importance of the applied arts, and their relation to common life -- Art and commercialism -- Art and social democracy -- Imitation and expression in art -- Art and industry. |
| 508 ## - CREATION/PRODUCTION CREDITS NOTE | |
| Creation/production credits note | Alan, The Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | "The claims of decorative art" by Walter Crane is a collection of essays on art and design written in the late 19th century. It argues for the dignity and centrality of the decorative and applied arts, their unity with architecture, and their deep ties to everyday life, labour, and social conditions. The work critiques commercialism and machine production for degrading taste, and champions craftsmanship, pattern, and figurative thought as foundations of a healthy artistic culture.<br/><br/>The opening of the work sets out a manifesto: decorative art is not a lesser field but the root system that sustains painting and sculpture, and beauty must permeate daily surroundings to nourish higher arts. Crane insists art is a language shaped by material, use, and social environment; he rebukes exhibition culture and “flatness-only” clichés, arguing adaptability, harmony, and decorum are the true tests of decoration. He broadens “architecture” to mean the structural background of life and thought, showing how economic forces and commercialism fragment the arts and stifle spontaneity, while a more communal mode of living could restore their unity. He then surveys figurative art’s vitality from satire to ideal allegory, defends sculpture and painting from a decorator’s standpoint, outlines the logic and evolution of pattern (from square and circle to scrolls, frets, and fans), and links art to labour, calling for revived handicraft against mechanised production and its erosion of both joy in work and public taste. (This is an automatically generated summary.) |
| 534 ## - ORIGINAL VERSION NOTE | |
| Introductory phrase | Originally published: |
| Publication, distribution, etc. of original | London: Lawrence and Bullen. |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Decoration and ornament |
| 856 4# - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://archive.org/details/claimsofdecorati00cran/page/n5/mode/2up">https://archive.org/details/claimsofdecorati00cran/page/n5/mode/2up</a> |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://www.gutenberg.org/ebooks/77149">https://www.gutenberg.org/ebooks/77149</a> |
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