Bernini and other studies in the history of art (Registro nro. 118045)
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| fixed length control field | 03024cam a22003493u 4500 |
| 001 - CONTROL NUMBER | |
| control field | 77325 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | UtSlPG |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20260610134806.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS | |
| fixed length control field | m |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cr n |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 260607r20251914utu|||||o|||||||||||||| d |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER | |
| LC control number | 14020514 |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | UtSlPG |
| 041 #7 - LANGUAGE CODE | |
| Language code of text/sound track or separate title | en |
| Source of code | iso639-1 |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | N |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Norton, Richard, |
| Dates associated with a name | 1872-1918 |
| 245 10 - TITLE STATEMENT | |
| Title | Bernini and other studies in the history of art |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Salt Lake City, UT : |
| Name of producer, publisher, distributor, manufacturer | Project Gutenberg, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2025 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 1 online resource : |
| Other physical details | multiple file formats |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Media type code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Carrier type code | cr |
| Source | rdacarrier |
| 500 ## - GENERAL NOTE | |
| General note | Release date is 2025-11-24 |
| 508 ## - CREATION/PRODUCTION CREDITS NOTE | |
| Creation/production credits note | Richard Tonsing, deaurider, and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | "Bernini and other studies in the history of art" by Richard Norton is a collection of art-historical essays written in the early 20th century. The volume reexamines Gian Lorenzo Bernini’s sculpture and architecture while broadening out to issues of portraiture, classical versus Renaissance ideals, and the painter Giorgione. It argues for a fresh appreciation of later Renaissance and Baroque achievement, using close visual analysis, archival traces, and rare illustrations.<br/><br/>The opening of this volume begins with a preface explaining the selection of images—especially Bernini’s sketches for St. Peter’s Piazza and a group of sculptor’s models—followed by an extended essay that challenges modern prejudices against 17th‑century art. It defends Bernini as an original, technically dazzling pathbreaker whose aim was sincere expression, not empty virtuosity, and sketches his character through contemporary portraits and his allegory of Truth unveiled by Time. The narrative then surveys his output: early mythological groups (with reservations about David but high praise for Proserpina and Apollo and Daphne), the emotionally charged religious works (angels, Habakkuk, St. Jerome, Daniel, and especially the Saint Theresa), monumental bronzes (the Baldacchino and Cathedra Petri), fountains alive with movement, and incisive portraiture culminating in princely busts like Louis XIV. At the start of the next section, the author introduces a rare cache of Bernini’s clay models (the Brandegee Collection), noting their immediacy and technical finesse, and opens a study of the Vatican piazza drawings that reveals the symbolic program—cruciform figure and world orb—underpinning the colonnades and their urban setting. (This is an automatically generated summary.) |
| 534 ## - ORIGINAL VERSION NOTE | |
| Introductory phrase | Originally published: |
| Publication, distribution, etc. of original | New York: The Macmillan Company, 1914 |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Giorgione, 1477 or 1478-1510 |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Sculpture |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Bernini, Gian Lorenzo, 1598-1680 |
| 856 4# - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://archive.org/details/berniniotherstud00nort">https://archive.org/details/berniniotherstud00nort</a> |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://www.gutenberg.org/ebooks/77325">https://www.gutenberg.org/ebooks/77325</a> |
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