Das Bildnis bei den altdeutschen Meistern bis auf Dürer (Registro nro. 118142)
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| 001 - CONTROL NUMBER | |
| control field | 77422 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | UtSlPG |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20260610134807.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS | |
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| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
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| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 260607r20251900utu|||||o|||||||||||||| d |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER | |
| LC control number | g01000590 |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | UtSlPG |
| 041 #7 - LANGUAGE CODE | |
| Language code of text/sound track or separate title | de |
| Source of code | iso639-1 |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | N |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Lehmann, Alfred, |
| Dates associated with a name | 1853- |
| 245 14 - TITLE STATEMENT | |
| Title | Das Bildnis bei den altdeutschen Meistern bis auf Dürer |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Salt Lake City, UT : |
| Name of producer, publisher, distributor, manufacturer | Project Gutenberg, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2025 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 1 online resource : |
| Other physical details | multiple file formats |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Media type code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Carrier type code | cr |
| Source | rdacarrier |
| 500 ## - GENERAL NOTE | |
| General note | Release date is 2025-12-08 |
| 508 ## - CREATION/PRODUCTION CREDITS NOTE | |
| Creation/production credits note | Peter Becker, Alpo Tiilikka and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | "Das Bildnis bei den altdeutschen Meistern bis auf Dürer" by Alfred Lehmann is an art-historical study written in the early 20th century. It investigates how the human image in German art developed from typified figures to true portraits before the Renaissance, focusing on manuscripts, wall and panel painting, sculpture, medals, woodcuts, and engravings up to Dürer. The work defines key portrait categories (from “typical” to fully “portrait”) and pays special attention to donor images within altarpieces as well as emerging independent likenesses.<br/><br/>The opening of the study presents its origin as an expanded doctoral dissertation and sets a broad scope: tracing the human image from the Carolingian era through the later Middle Ages, with the main body devoted to three strands of portraiture—holy or secular figures in altarpieces, donor portraits, and autonomous portraits—followed by a synthetic cultural analysis. It clarifies terminology by sharply distinguishing “typical,” “individual,” “individual-characteristic,” “portrait-like,” and “portrait.” The introduction argues that German art’s core drive is individualization and characterization, contrasts Cologne’s mystical idealism with later realism, explains the long post–16th-century decline by foreign influence and war rather than the Reformation alone, and notes a modern revival of a distinctly German manner marked by inwardness, simplicity, richness, movement, and love of nature. At the start of the first part, the author outlines how images evolve from types to individuals, illustrates this with classical examples (from Pericles to Euripides), and then tracks early medieval book illumination from symbolic figures toward more individualized imperial portraits (such as Charlemagne, Lothar, and Henry II), noting technical shifts and the significance of Reichenau, Trier, and works like Herrad of Landsberg’s compendium. (This is an automatically generated summary.) |
| 534 ## - ORIGINAL VERSION NOTE | |
| Introductory phrase | Originally published: |
| Publication, distribution, etc. of original | Leipzig: Verlag von W. Hiersemann, 1900 |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Portrait painting -- Germany |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Portrait painters -- Germany |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Portrait painting |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://www.gutenberg.org/ebooks/77422">https://www.gutenberg.org/ebooks/77422</a> |
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