Oraisons funèbres (Registro nro. 118172)
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| fixed length control field | 03342cam a22003613u 4500 |
| 001 - CONTROL NUMBER | |
| control field | 77452 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | UtSlPG |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20260610134808.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS | |
| fixed length control field | m |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cr n |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 260607r20251928utu|||||o|||||||||||||| d |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | UtSlPG |
| 041 #7 - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fr |
| Source of code | iso639-1 |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | BX |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Bossuet, Jacques Bénigne, |
| Dates associated with a name | 1627-1704 |
| 245 10 - TITLE STATEMENT | |
| Title | Oraisons funèbres |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Salt Lake City, UT : |
| Name of producer, publisher, distributor, manufacturer | Project Gutenberg, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2025 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 1 online resource : |
| Other physical details | multiple file formats |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Media type code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Carrier type code | cr |
| Source | rdacarrier |
| 500 ## - GENERAL NOTE | |
| General note | Release date is 2025-12-12 |
| 505 0# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Préface -- Oraison funèbre de Henriette-Marie de France -- Oraison funèbre de Henriette-Anne d'Angleterre -- Oraison funèbre de Marie-Thérèse d'Autriche -- Oraison funèbre d'Anne de Gonzague de Clèves -- Oraison funèbre de Michel le Tellier -- Oraison funèbre de Louis de Bourbon -- Appendice: Bourdaloue. Fléchier. Massillon. Lacordaire. |
| 508 ## - CREATION/PRODUCTION CREDITS NOTE | |
| Creation/production credits note | Laurent Vogel (This file was produced from images generously made available by the Bibliothèque nationale de France (BnF/Gallica)) |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Oraisons funèbres by Jacques Bénigne Bossuet is a collection of funeral orations written in the late 17th century. The work turns public eulogies for princes and great ladies into powerful sermons that fuse history, Scripture, and moral instruction, meditating on divine providence and the vanity of earthly power through the lives and deaths of figures such as Henrietta Maria of France and Henriette-Anne, Duchess of Orléans.<br/><br/>The opening of this collection presents a preface by René Doumic explaining how Bossuet remade the courtly funeral speech into truthful, edifying eloquence—anchored in personal witness, precise historical detail, fearless judgment, and theological depth centered on grace and Providence. It then launches into the oration for Henrietta Maria, invoking “Now, O kings, understand” to frame her life as an example to rulers: from royal splendor to exile, she is praised for charity, prudence, constancy in the Catholic faith, and for consoling English Catholics; Bossuet broadens this into a critique of religious schism feeding civil rebellion, sketches the rise of a single commanding figure as an instrument of Providence, and recounts the queen’s perilous voyages, negotiations, flight to France, spiritual purification through suffering, and the later restoration of her son, after which she lives humbly and charitably. The text then turns to the next oration, for Henriette-Anne, striking the theme “Vanity of vanities” as it contrasts her recent acclaim with her sudden death, and outlines a double lesson: the nothingness of worldly greatness and the true weight of fearing God. It begins to trace her illustrious lineage, grace, and admired presence at the French court, leading to her marriage into the House of France. (This is an automatically generated summary.) |
| 534 ## - ORIGINAL VERSION NOTE | |
| Introductory phrase | Originally published: |
| Publication, distribution, etc. of original | Paris: Aristide Quillet, 1928 |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Catholic Church -- Sermons |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Funeral sermons |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Sermons, French |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Doumic, René, |
| Dates associated with a name | 1860-1937 |
| 856 4# - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://gallica.bnf.fr/ark:/12148/bpt6k9612397h">https://gallica.bnf.fr/ark:/12148/bpt6k9612397h</a> |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://www.gutenberg.org/ebooks/77452">https://www.gutenberg.org/ebooks/77452</a> |
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