Oscar Wilde in outline (Registro nro. 118214)
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| fixed length control field | 03309cam a22003733u 4500 |
| 001 - CONTROL NUMBER | |
| control field | 77494 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | UtSlPG |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20260610134808.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS | |
| fixed length control field | m |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cr n |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 260607r20251923utu|||||o|||||||||||||| d |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | UtSlPG |
| 041 #7 - LANGUAGE CODE | |
| Language code of text/sound track or separate title | en |
| Source of code | iso639-1 |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | PR |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Finger, Charles Joseph, |
| Dates associated with a name | 1869-1941 |
| 245 10 - TITLE STATEMENT | |
| Title | Oscar Wilde in outline |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Salt Lake City, UT : |
| Name of producer, publisher, distributor, manufacturer | Project Gutenberg, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2025 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 1 online resource : |
| Other physical details | multiple file formats |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Media type code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Carrier type code | cr |
| Source | rdacarrier |
| 490 1# - SERIES STATEMENT | |
| Series statement | Ten cent pocket series ; no. 442 |
| 490 1# - SERIES STATEMENT | |
| Series statement | Little blue book ; no. 442 |
| 500 ## - GENERAL NOTE | |
| General note | Release date is 2025-12-18 |
| 508 ## - CREATION/PRODUCTION CREDITS NOTE | |
| Creation/production credits note | Tim Miller, Terry Jeffress, and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | "Oscar Wilde in outline" by Charles Joseph Finger is a critical study written in the early 20th century. It surveys Wilde’s life and writings—poetry, fiction, criticism, and especially drama—through the lens of his temperament, aesthetics, and reputation. The focus is on how Wilde’s paradoxes, influences, and public scandals shaped both his art and its reception, with the case made that his lasting strength lies in his plays and essays.<br/><br/>The opening of this study argues that readers habitually confuse an artist’s work with the accidents of life, then places Wilde within that problem by briskly ranking his achievements across genres and noting how scandal has distorted judgment. Finger sketches Wilde’s “feminine” sensibility, heredity, love of display, and delight in contradiction, then defends the serious intent beneath his provocations—critiques of Puritan moralizing, American commercialism, and empty social ambition, and an insistence on self-culture and art’s independence from morality. He traces Wilde’s partisanship, especially his adoption of Baudelaire’s creed of “art for art’s sake,” and surveys the fiction: a sardonic take on Lord Arthur Savile’s tidy murder, and a mixed appraisal of The Picture of Dorian Gray—lavishly colored, French-influenced, and artificial yet memorable. Briefly, he treats the fairy tales as ornate fables for adults, before celebrating the plays’ glittering wit and stagecraft and noting the press’s hostility. The section then turns to Wilde as critic and essayist—sympathetic, stylish, influenced by Chuang Tzu—reading “Pen, Pencil and Poison” as a cool, psychological portrait rather than an ode to crime. Throughout, Finger quotes widely and compares deftly to argue that Wilde’s paradoxes mask a coherent plea for beauty, individuality, and the primacy of art. (This is an automatically generated summary.) |
| 534 ## - ORIGINAL VERSION NOTE | |
| Introductory phrase | Originally published: |
| Publication, distribution, etc. of original | Girard: Haldeman-Julius Company, 1923 |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Wilde, Oscar, 1854-1900 -- Criticism and interpretation |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Haldeman-Julius, E. |
| Fuller form of name | (Emanuel), |
| Dates associated with a name | 1888-1951 |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE | |
| Uniform title | Ten cent pocket series ; no. 442 |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE | |
| Uniform title | Little blue book ; no. 442 |
| 856 4# - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://archive.org/details/oscarwildeinoutl442fing/mode/2up">https://archive.org/details/oscarwildeinoutl442fing/mode/2up</a> |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://www.gutenberg.org/ebooks/77494">https://www.gutenberg.org/ebooks/77494</a> |
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