The women of the Renaissance (Registro nro. 118228)
[ vista simple ]
| 000 -LEADER | |
|---|---|
| fixed length control field | 03434cam a22003853u 4500 |
| 001 - CONTROL NUMBER | |
| control field | 77508 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | UtSlPG |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20260610134809.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS | |
| fixed length control field | m |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cr n |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 260607r20251900utu|||||o|||||||||||||| d |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | UtSlPG |
| 041 #7 - LANGUAGE CODE | |
| Language code of text/sound track or separate title | en |
| Source of code | iso639-1 |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | HQ |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Maulde-La-Clavière, R. de |
| Fuller form of name | (René), |
| Dates associated with a name | 1848-1902 |
| 240 14 - UNIFORM TITLE | |
| Uniform title | Les femmes de la Renaissance. English |
| 245 14 - TITLE STATEMENT | |
| Title | The women of the Renaissance |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Salt Lake City, UT : |
| Name of producer, publisher, distributor, manufacturer | Project Gutenberg, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2025 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 1 online resource : |
| Other physical details | multiple file formats |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Media type code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Carrier type code | cr |
| Source | rdacarrier |
| 500 ## - GENERAL NOTE | |
| General note | Translation of Les femmes de la Renaissance. |
| 500 ## - GENERAL NOTE | |
| General note | Release date is 2025-12-19 |
| 508 ## - CREATION/PRODUCTION CREDITS NOTE | |
| Creation/production credits note | Tim Lindell, Turgut Dincer and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | "The women of the Renaissance" by R. de Maulde-La-Clavière is a historical study written in the late 19th century. It explores how women in Renaissance Italy and France steered culture and morals, charting an early feminist movement rooted in idealized love, beauty, and salon influence rather than laws or suffrage. Through social history and lively anecdote, it examines family structures, education, platonism, and women’s political, intellectual, and religious impact.<br/><br/>The opening of the book sets the stage with contemporary praise and a translator’s note highlighting the author’s scholarly wit and Renaissance expertise, then frames the “woman question” amid modern confusion about education, marriage, and public role. The preamble proposes learning from the past, contrasting Anglo-Saxon “masculinism” with Latin “feminism,” and points to the Renaissance as a comparable age of transition. The introduction locates the movement’s origin in Italy, where women became the “motive force” of society—countering war and the power of money, revitalizing a tired religious and intellectual climate, and elevating life through beauty, love, and platonist ideals; France at first resisted these Italian ideas, then absorbed them. At the start of Book I, marriage appears as a practical contract wholly distinct from love: fathers negotiate, brides are married young (often betrothed in childhood), and grooms approach the step fatalistically. Anecdotes (from courts like Urbino and figures such as Michelangelo and Raphael) underscore the calculations, dowries, and family interests that govern matches. Weddings are lavish public displays that heighten family prestige, but behind the pageantry the marital reality is bluntly prosaic, affirming the book’s thesis that Renaissance “feminism” emerged not through legal change but through women’s spiritual and social agency outside the marriage bargain. (This is an automatically generated summary.) |
| 534 ## - ORIGINAL VERSION NOTE | |
| Introductory phrase | Originally published: |
| Publication, distribution, etc. of original | New York: G. P. Putnam's Sons, 1900 |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Renaissance |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Women -- History -- Renaissance, 1450-1600 |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Feminism -- Italy -- History |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Feminism -- France -- History |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Ely, George Herbert, |
| Dates associated with a name | 1866-1958 |
| 856 4# - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://archive.org/details/womenofrenaissan00maul">https://archive.org/details/womenofrenaissan00maul</a> |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://www.gutenberg.org/ebooks/77508">https://www.gutenberg.org/ebooks/77508</a> |
No hay ítems disponibles.