Három mester (Registro nro. 118340)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 03332cam a22003853u 4500 |
| 001 - CONTROL NUMBER | |
| control field | 77620 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | UtSlPG |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20260610134810.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS | |
| fixed length control field | m |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cr n |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 260607r20261926utu|||||o|||||||||||||| d |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | UtSlPG |
| 041 #7 - LANGUAGE CODE | |
| Language code of text/sound track or separate title | hu |
| Source of code | iso639-1 |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | PN |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Zweig, Stefan, |
| Dates associated with a name | 1881-1942 |
| 240 10 - UNIFORM TITLE | |
| Uniform title | Drei Meister. Hungarian |
| 245 10 - TITLE STATEMENT | |
| Title | Három mester |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Salt Lake City, UT : |
| Name of producer, publisher, distributor, manufacturer | Project Gutenberg, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2026 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 1 online resource : |
| Other physical details | multiple file formats |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Media type code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Carrier type code | cr |
| Source | rdacarrier |
| 490 1# - SERIES STATEMENT | |
| Series statement | Kultura és tudomány, [54] |
| 500 ## - GENERAL NOTE | |
| General note | Release date is 2026-01-05 |
| 508 ## - CREATION/PRODUCTION CREDITS NOTE | |
| Creation/production credits note | Albert László from page images generously made available by the Hungarian Electronic Library |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | "Három mester" by Stefan Zweig is a collection of literary essays written in the early 20th century. It offers vivid, psychologically rich portraits of Balzac, Dickens, and Dostoevsky as archetypal world‑building novelists, using biography and criticism to show how each forges a distinct imaginative cosmos. The focus is on what defines a true “romancier” and the inner laws that drive their creations, seen through a humanist, cosmopolitan lens.<br/><br/>The opening of the book first presents a translator’s introduction that places the author in fin‑de‑siècle Vienna and the trauma of the Great War, emphasizing his pacifism, international friendships, polished style, and mission to connect minds across borders; it also frames this volume as part of a wider cycle on great “world builders.” The foreword then states the project: to treat Balzac, Dickens, and Dostoevsky as the century’s exemplary “romanciers,” distinguishes them by their spheres (society, family, the solitary soul), and clarifies that the essays are syntheses for readers who already know the works. At the start of the Balzac essay, Napoleon’s age is shown shaping Balzac’s will to conquer—transposed from the sword to the pen—culminating in the Comédie humaine as a deliberately centralized, Paris‑anchored empire of types and energies. The text sketches the ruthless social struggle of ambitious youths and uses Vautrin and Rastignac to show how experience hardens character; it leans on chemical and physiological metaphors to explain social forces, exalts concentrated will and monomania, and contrasts success with the sheer intensity of striving. It also portrays Balzac himself as a monomaniac worker—nocturnal, caffeinated, debt‑ridden, loving by letter—who half‑lived inside his characters and was fascinated by physiognomy, mesmerism, and a visionary “second sight,” before the excerpt cuts off. (This is an automatically generated summary.) |
| 534 ## - ORIGINAL VERSION NOTE | |
| Introductory phrase | Originally published: |
| Publication, distribution, etc. of original | Budapest: Franklin-Társulat, 1926 |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Dickens, Charles, 1812-1870 -- Criticism and interpretation |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Balzac, Honoré de, 1799-1850 -- Criticism and interpretation |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Dostoyevsky, Fyodor, 1821-1881 -- Criticism and interpretation |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Fiction -- 19th century -- History and criticism |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Térey, Sándor, |
| Dates associated with a name | 1886-1955 |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE | |
| Uniform title | Kultura és tudomány, [54] |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://www.gutenberg.org/ebooks/77620">https://www.gutenberg.org/ebooks/77620</a> |
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