Duval's artistic anatomy (Registro nro. 118463)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 03174cam a22003493u 4500 |
| 001 - CONTROL NUMBER | |
| control field | 77743 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | UtSlPG |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20260610134812.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS | |
| fixed length control field | m |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cr n |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 260607r20261905utu|||||o|||||||||||||| d |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | UtSlPG |
| 041 #7 - LANGUAGE CODE | |
| Language code of text/sound track or separate title | en |
| Source of code | iso639-1 |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | NC |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Duval, Mathias, |
| Dates associated with a name | 1844-1907 |
| 240 10 - UNIFORM TITLE | |
| Uniform title | Précis d'anatomie à l'usage des artistes. English |
| 245 10 - TITLE STATEMENT | |
| Title | Duval's artistic anatomy |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Salt Lake City, UT : |
| Name of producer, publisher, distributor, manufacturer | Project Gutenberg, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2026 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 1 online resource : |
| Other physical details | multiple file formats |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Media type code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Carrier type code | cr |
| Source | rdacarrier |
| 500 ## - GENERAL NOTE | |
| General note | An epitome of a course of lectures delivered at the École des Beaux-Arts. |
| 500 ## - GENERAL NOTE | |
| General note | Release date is 2026-01-20 |
| 508 ## - CREATION/PRODUCTION CREDITS NOTE | |
| Creation/production credits note | Tim Lindell, Karin Spence and the Online Distributed Proofreading Team at https://www.pgdp.net (This book was produced from images made available by the HathiTrust Digital Library.) |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | "Duval's artistic anatomy" by Mathias Duval is an instructional manual on artistic anatomy written in the late 19th century. It teaches artists to understand and depict the human form by explaining the skeleton, joints, muscles, proportions, movement, and facial expression in clear, practical terms. Emphasizing observation and hands-on study of bones, casts, and the living model, it proceeds from the skeleton to myology and then to expression, linking anatomy directly to surface forms and artistic needs. Historical context and methodological guidance frame a systematic, workshop-ready course.<br/><br/>The opening of the work lays out its aims, audience, and method: to give trained art students a scientific grasp of forms and movements by starting from the skeleton, correlating deep structures with surface appearances, and supplementing anatomy with functional insight. A revised preface urges direct handling of bones and live-model study, while the author’s preface critiques plate-copying, defends an integrated text-and-figure approach, and notes brief anthropological topics to aid head-form analysis. Early chapters survey how art and anatomy advanced together—from Egyptian and Greek observation through Renaissance dissection to modern needs—arguing why today’s artist must know anatomy. The plan of study is defined (proportions, forms, attitudes, movements, expression), followed by concise fundamentals: anatomical nomenclature, bone types, cartilage, and the vertebral column’s structure, curves, ligaments, and surface landmarks. It then describes the thorax (sternum, ribs, chest shape and measures) and the shoulder girdle (clavicle, scapula, proximal humerus), concluding with the shoulder joint’s mechanics and how scapular and clavicular motion amplifies arm elevation and alters visible form. (This is an automatically generated summary.) |
| 534 ## - ORIGINAL VERSION NOTE | |
| Introductory phrase | Originally published: |
| Publication, distribution, etc. of original | New York: Funk & Wagnalls, 1905 |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Anatomy, Artistic |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Paterson, Andrew Melville, |
| Dates associated with a name | 1862-1919 |
| 856 4# - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://hdl.handle.net/2027/uc1.31158000192178">https://hdl.handle.net/2027/uc1.31158000192178</a> |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://www.gutenberg.org/ebooks/77743">https://www.gutenberg.org/ebooks/77743</a> |
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