Primitive art (Registro nro. 118554)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 03143cam a22003373u 4500 |
| 001 - CONTROL NUMBER | |
| control field | 77834 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | UtSlPG |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20260610134814.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS | |
| fixed length control field | m |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cr n |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 260607r20261927utu|||||o|||||||||||||| d |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER | |
| LC control number | 29001921 |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | UtSlPG |
| 041 #7 - LANGUAGE CODE | |
| Language code of text/sound track or separate title | en |
| Source of code | iso639-1 |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | N |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Boas, Franz, |
| Dates associated with a name | 1858-1942 |
| 245 10 - TITLE STATEMENT | |
| Title | Primitive art |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Salt Lake City, UT : |
| Name of producer, publisher, distributor, manufacturer | Project Gutenberg, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2026 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 1 online resource : |
| Other physical details | multiple file formats |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Media type code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Carrier type code | cr |
| Source | rdacarrier |
| 500 ## - GENERAL NOTE | |
| General note | Release date is 2026-02-02 |
| 508 ## - CREATION/PRODUCTION CREDITS NOTE | |
| Creation/production credits note | Aaron Adrignola, Linda Cantoni, A Marshall and the Online Distributed Proofreading Team at https://www.pgdp.net (This book was produced from images made available by the HathiTrust Digital Library.) |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | "Primitive art" by Franz Boas is a scientific anthropological treatise written in the early 20th century. It examines the fundamental traits and development of the arts among so‑called primitive peoples, arguing that aesthetic creation rests on the universal mental capacities of humans and on historical, technical, and cultural conditions rather than on racial or evolutionary hierarchies. Emphasizing technique, form, symmetry, rhythm, and distribution, it analyzes how workmanship and meaning together shape graphic and plastic arts across diverse societies.<br/><br/>The opening of the treatise sets out two guiding principles: mental processes are fundamentally the same across all peoples, and every cultural phenomenon, including art, is a historical growth. Boas critiques unilineal evolution and overreliance on diffusionist or correlation-based schemes (challenging, among others, Ratzelian extremes and later historical sequences), stresses constant cultural flux, and states his aim to identify dynamic conditions under which art styles arise. In the Introduction he argues that aesthetic pleasure is universal, that artistic value emerges when forms become technically controlled and standardized, and that art involves both pure form and culturally associated meanings; he also rebuts theories that reduce art solely to expression. He then demonstrates, with cases from California basketry, Northwest Coast woodwork, and Pueblo pottery, that technical virtuosity and regularity generate artistic form—showing how symmetry, rhythmic repetition, margins, borders, and field divisions arise from technique and bodily rhythms—illustrated by examples from Eskimo flintwork, Koryak embroidery, Peruvian textiles, Zambezi beadwork, and Mexican codices. The section closes by beginning a discussion of representative art, insisting that representation becomes art only with technical mastery and formal structure. (This is an automatically generated summary.) |
| 534 ## - ORIGINAL VERSION NOTE | |
| Introductory phrase | Originally published: |
| Publication, distribution, etc. of original | Oslo: H. Aschehoug & Co., 1927 |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Art, Prehistoric |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Folk literature -- History and criticism |
| 856 4# - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://hdl.handle.net/2027/gri.ark:/13960/s29kxnz21nc">https://hdl.handle.net/2027/gri.ark:/13960/s29kxnz21nc</a> |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://www.gutenberg.org/ebooks/77834">https://www.gutenberg.org/ebooks/77834</a> |
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