Moussorgsky (Registro nro. 118575)
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| fixed length control field | 03549cam a22003613u 4500 |
| 001 - CONTROL NUMBER | |
| control field | 77855 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | UtSlPG |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20260610134814.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS | |
| fixed length control field | m |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cr n |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 260607r20261916utu|||||o|||||||||||||| d |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER | |
| LC control number | 17021122 |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | UtSlPG |
| 041 #7 - LANGUAGE CODE | |
| Language code of text/sound track or separate title | en |
| Source of code | iso639-1 |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | ML |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Montagu-Nathan, M. |
| Fuller form of name | (Montagu), |
| Dates associated with a name | 1877-1958 |
| 245 10 - TITLE STATEMENT | |
| Title | Moussorgsky |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Salt Lake City, UT : |
| Name of producer, publisher, distributor, manufacturer | Project Gutenberg, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2026 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 1 online resource : |
| Other physical details | multiple file formats |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Media type code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Carrier type code | cr |
| Source | rdacarrier |
| 490 1# - SERIES STATEMENT | |
| Series statement | Masters of Russian music |
| 500 ## - GENERAL NOTE | |
| General note | Release date is 2026-02-03 |
| 508 ## - CREATION/PRODUCTION CREDITS NOTE | |
| Creation/production credits note | Carol Brown, Tim Miller and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | "Moussorgsky" by M. Montagu-Nathan is a biographical and critical study written in the early 20th century. It presents Modeste Moussorgsky as a pioneering Russian composer, outlining his aesthetics of Truth, Freedom, and Progress, and positioning him within the nationalist “Five.” The study surveys his life, major operas, songs, and instrumental works, and argues for his originality beyond the distortions of early, uncharacteristic receptions.<br/><br/>The opening of the book sets out Moussorgsky’s aesthetic credo—art as a truthful, evolving expression of humanity, free of rigid forms and created with absolute sincerity—contrasting his sparse statements with Wagner’s voluminous essays and correcting British misconceptions formed from unrepresentative pieces. It then traces his early life and folklore-rich upbringing, strong piano training, and “conversion” from salon dilettantism to serious national art under Dargomijsky, Balakiref, Cui, and Borodin. We see initial studies and orchestral attempts, a decisive break from the army, and the first operatic efforts (the abandoned “Salammbô” and the boldly realistic, prose-set “The Matchmaker”). The narrative turns to “Boris Godounof”: its first version, rejection, major revision (adding the Polish act and Kromy ending), and a triumphant but short-lived 1874 staging amid critical hostility. Alongside come satirical songs against reactionary critics, the child-world cycle “The Nursery,” and “Pictures at an Exhibition.” The account also covers the slow, research-heavy birth of “Khovanshchina,” fragments of “Sorochinsk Fair,” the introspective cycles “Without Sunlight” and “Songs and Dances of Death,” and the composer’s decline into poverty and alcoholism leading to his death in the early 1880s, with Rimsky-Korsakof later editing his scores. The section that follows begins the critical appraisal of his operatic method—chorus as protagonist, speech-inflected melody, sparing motives, and strict dramatic truth—illustrated through concise synopses and musical commentary on “Boris Godounof” and the historical-religious canvas of “Khovanshchina” up to the early scenes of its fourth act. (This is an automatically generated summary.) |
| 534 ## - ORIGINAL VERSION NOTE | |
| Introductory phrase | Originally published: |
| Publication, distribution, etc. of original | London: Constable and Company Limited, 1916 |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Composers -- Russia -- Biography |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Mussorgsky, Modest Petrovich, 1839-1881 |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE | |
| Uniform title | Masters of Russian music |
| 856 4# - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://archive.org/details/cu31924022196368/mode/2up">https://archive.org/details/cu31924022196368/mode/2up</a> |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://www.gutenberg.org/ebooks/77855">https://www.gutenberg.org/ebooks/77855</a> |
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