Mimózák és krizántémok (Registro nro. 119107)
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|---|---|
| fixed length control field | 03820cam a22003253u 4500 |
| 001 - CONTROL NUMBER | |
| control field | 78387 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | UtSlPG |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20260610134822.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS | |
| fixed length control field | m |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cr n |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 260607r20261930utu|||||o|||||||||||||| d |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | UtSlPG |
| 041 #7 - LANGUAGE CODE | |
| Language code of text/sound track or separate title | hu |
| Source of code | iso639-1 |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | GR |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Kúnos, Ignácz, |
| Dates associated with a name | 1862-1945 |
| 245 10 - TITLE STATEMENT | |
| Title | Mimózák és krizántémok |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Salt Lake City, UT : |
| Name of producer, publisher, distributor, manufacturer | Project Gutenberg, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2026 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 1 online resource : |
| Other physical details | multiple file formats |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Media type code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Carrier type code | cr |
| Source | rdacarrier |
| 500 ## - GENERAL NOTE | |
| General note | Release date is 2026-04-07 |
| 505 0# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | I. Varázsmesék: Hej csicsija, hej babája. Hökköm törpe. Vízi sellőt halászott ki. Tél-Istenke szamócája. Hold-Istenke ünnepére. Kőfejtő és Hegy-Istenke. Pacsirták és Csillag-lelkek. Fatálacskás Hacsibime. Kettőt kapott egy golyváért. Újhold és a Denevérek. Cseresznyefa kivirított. Vérrózsát hajt tenger vize. Tündérlányka fátyolkája. Tükör lelke. Urasima vízországi szelencéje -- II. Állatmesék: Két kis béka. Patkány-párék virágszála. Majom- meg rák-háborúság. Világító Tűzbogárka. Nyúl félfüle, Kócsag lába. Tövig tépték Veréb nyelvét. Medúza és a majom mája. Holló úszik, Gúnár kúszik. Legyet ölő Legyezőcske. Dali Kandúr -- III. Virágmesék: Két Krizántém. Kék Ibolya, Puszpángocska. Kacskaringós Felfutócska -- IV. Tréfás mesék: Rizsborvásár. Tíz szen-pénz a halszag ára. Felejtető gyömbért evett. Mérget evett három kis bonc. Férfivásár. Joritomo koponyája. Igaz neve Méz-odángó. Varga púpján nincsen áldás. Jamagáta ajándéka. Bonc és vadász. Sárkány lelke. Csak a felét ha fizeti. |
| 508 ## - CREATION/PRODUCTION CREDITS NOTE | |
| Creation/production credits note | Albert László from page images generously made available by the Hungarian Electronic Library |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | "Mimózák és krizántémok" by Ignácz Kúnos is a collection of folktales written in the early 20th century. It presents Japanese fairy tales and legends in musical, rhyme-rich retellings, framed by a reflective essay on Japan’s spirit, nature-worship, and the Shinto-Buddhist outlook. Humble villagers, capricious deities, and talking creatures move through transformations and trials that resolve in gentle, memorable morals.<br/><br/>The opening of the collection pairs a lyrical cultural introduction with the first “magic tales.” The essay paints Japan’s landscapes and festivals, explains ancestor reverence and a sunny Shinto sensibility, and illustrates the cultivated “Japanese smile” with an anecdote about a storyteller-friend who bears grief with composure; it also celebrates the folk imagination’s fondness for symbols, punishment and reward, and light irony. The initial stories then unfold briskly: a spring restores an old couple’s youth until excess turns the wife into a baby; a thumb-sized boy serves a noble, defeats a demon, and grows to manhood with a magic whip; a fisherman marries a mysterious visitor who is a mermaid and must return to the sea, leaving him long life; a kind girl receives winter strawberries from seasonal spirits while her cruel kin perish in the snow; rain and storm clouds fail to spoil the Moon festival; a stonecutter’s chain of wishes ends in contentment with his own craft; and larks learn to sing by day while star-souls keep night’s quiet. Throughout, the verse-like cadence, personified seasons and celestial beings, and clear moral turns set the tone for the folktales that follow. (This is an automatically generated summary.) |
| 534 ## - ORIGINAL VERSION NOTE | |
| Introductory phrase | Originally published: |
| Publication, distribution, etc. of original | Budapest: Keleti Mesekönyvek Kiadóhivatala, 1930 |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Tales -- Japan |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Fairy tales -- Japan |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://www.gutenberg.org/ebooks/78387">https://www.gutenberg.org/ebooks/78387</a> |
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