Is Shakespeare Dead? : (Registro nro. 44512)

Detalles MARC
000 -LEADER
fixed length control field 02349cam a22003013u 4500
001 - CONTROL NUMBER
control field 2431
003 - CONTROL NUMBER IDENTIFIER
control field UtSlPG
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20260610133058.0
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS
fixed length control field m
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
fixed length control field cr n
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 260607r2000||||utu|||||o|||||||||||||| d
040 ## - CATALOGING SOURCE
Original cataloging agency UtSlPG
041 #7 - LANGUAGE CODE
Language code of text/sound track or separate title en
Source of code iso639-1
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number PR
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Twain, Mark,
Dates associated with a name 1835-1910
245 10 - TITLE STATEMENT
Title Is Shakespeare Dead? :
Remainder of title From My Autobiography
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Salt Lake City, UT :
Name of producer, publisher, distributor, manufacturer Project Gutenberg,
Date of production, publication, distribution, manufacture, or copyright notice 2000
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource :
Other physical details multiple file formats
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Carrier type code cr
Source rdacarrier
500 ## - GENERAL NOTE
General note Release date is 2000-12-01
508 ## - CREATION/PRODUCTION CREDITS NOTE
Creation/production credits note Transcribed from the 1909 Harper & Brothers edition by David Price. Proofing by Alan Ross, Ana Charlton and David
520 ## - SUMMARY, ETC.
Summary, etc. "Is Shakespeare Dead?" by Mark Twain is a reflective and satirical treatise on the authorship of Shakespeare’s works, written during the early 20th century. In this work, Twain grapples with long-standing debates over who truly wrote the plays attributed to Shakespeare, questioning the historical record and delving into the inconsistencies surrounding the poet's life. The narrative combines Twain's autobiographical anecdotes with a sharp critique of literary pretensions and the human tendency to believe in grand claims without substantial evidence. The opening of the book introduces Twain's perspective on the elusive nature of historical truths, particularly regarding Shakespeare. He shares recollections of discussions with a passionate pilot named Ealer, who held firm beliefs about Shakespeare's authorship, which Twain initially supported. However, as the dialogue progresses, Twain's skepticism grows, leading him to adopt a more nuanced stance. He reflects on the contradictions in Shakespeare's background and the scant evidence of his literary genius, positing that the legendary figure may not have penned such profound works. This mix of humor and critique sets the stage for Twain's examination of the broader implications of literary legends and the nature of belief itself. (This is an automatically generated summary.)
534 ## - ORIGINAL VERSION NOTE
Note about original Original publication data not identified
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Shakespeare, William, 1564-1616 -- Authorship -- Baconian theory
856 40 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://www.gutenberg.org/ebooks/2431">https://www.gutenberg.org/ebooks/2431</a>

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