La Fin Des Livres (Registro nro. 44896)

Detalles MARC
000 -LEADER
fixed length control field 02628cam a22003373u 4500
001 - CONTROL NUMBER
control field 2820
003 - CONTROL NUMBER IDENTIFIER
control field UtSlPG
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20260610133103.0
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS
fixed length control field m
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
fixed length control field cr n
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 260607r2001||||utu|||||o|||||||||||||| d
040 ## - CATALOGING SOURCE
Original cataloging agency UtSlPG
041 #7 - LANGUAGE CODE
Language code of text/sound track or separate title en
-- fr
Source of code iso639-1
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number Z
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Uzanne, Octave,
Dates associated with a name 1851-1931
245 13 - TITLE STATEMENT
Title La Fin Des Livres
246 1# - VARYING FORM OF TITLE
Title proper/short title The End of Books
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Salt Lake City, UT :
Name of producer, publisher, distributor, manufacturer Project Gutenberg,
Date of production, publication, distribution, manufacture, or copyright notice 2001
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource :
Other physical details multiple file formats
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Carrier type code cr
Source rdacarrier
500 ## - GENERAL NOTE
General note HTML file
500 ## - GENERAL NOTE
General note Release date is 2001-09-01
508 ## - CREATION/PRODUCTION CREDITS NOTE
Creation/production credits note Produced by Michael J. Ward
520 ## - SUMMARY, ETC.
Summary, etc. "La Fin Des Livres" by Octave Uzanne and Albert Robida is a speculative commentary on the future of literature and communication written towards the end of the 19th century. The book, produced in the late 1800s, is a blend of science fiction and philosophical discourse, exploring the implications of advancements in technology on reading and the written word. The narrative suggests a radical transformation in society where traditional printed books are replaced by audio-based media, highlighting concerns over literacy's demise. The content of the book unfolds as a conversation among bibliophiles and intellectuals who gather after a scientific lecture to discuss the future of books. The narrator passionately argues that the advent of sound recording and playback technology will render printed texts obsolete, predicting a world where libraries become "phonographothèques," and literature is consumed through listening rather than reading. Notable points include the emergence of "narrators" who will supplant traditional authors, and the rise of interactive auditory experiences, where people might hear the voices of their favorite literary figures directly. As the conversation progresses, various predictions are made about the diminishing role of newspapers, the transformation of journalism, and the societal implications of shunning the written word in favor of auditory engagement. The book ultimately posits a future where the reliance on printing is abandoned due to advancements in sound technology, raising intriguing questions about the nature of communication and the human experience in a post-literate society. (This is an automatically generated summary.)
534 ## - ORIGINAL VERSION NOTE
Note about original Original publication data not identified
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Bibliomania
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Robida, Albert,
Dates associated with a name 1848-1926
856 40 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://www.gutenberg.org/ebooks/2820">https://www.gutenberg.org/ebooks/2820</a>

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