Now It Can Be Told (Registro nro. 45388)

Detalles MARC
000 -LEADER
fixed length control field 02305cam a22003133u 4500
001 - CONTROL NUMBER
control field 3317
003 - CONTROL NUMBER IDENTIFIER
control field UtSlPG
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20260610133110.0
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS
fixed length control field m
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
fixed length control field cr n
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 260607r2002||||utu|||||o|||||||||||||| d
040 ## - CATALOGING SOURCE
Original cataloging agency UtSlPG
041 #7 - LANGUAGE CODE
Language code of text/sound track or separate title en
Source of code iso639-1
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number D501
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Gibbs, Philip,
Dates associated with a name 1877-1962
245 10 - TITLE STATEMENT
Title Now It Can Be Told
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Salt Lake City, UT :
Name of producer, publisher, distributor, manufacturer Project Gutenberg,
Date of production, publication, distribution, manufacture, or copyright notice 2002
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource :
Other physical details multiple file formats
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Carrier type code cr
Source rdacarrier
500 ## - GENERAL NOTE
General note Release date is 2002-07-01
508 ## - CREATION/PRODUCTION CREDITS NOTE
Creation/production credits note Produced by Alan Earls, and David Widger
520 ## - SUMMARY, ETC.
Summary, etc. "Now It Can Be Told" by Philip Gibbs is a historical account written in the early 20th century during the aftermath of World War I. The book provides a poignant and detailed portrayal of the realities of modern warfare, drawn from Gibbs's own experiences as a war correspondent embedded with British forces on the Western Front. It aims to convey not only the courage displayed by soldiers but also the grim and tragic consequences of war, serving both as a memorial and a stark reminder of the horrors of conflict. The opening of the book sets the tone for Gibbs's narrative, laying the groundwork for his exploration of the early days of World War I. He describes how he, along with other correspondents, navigated the complexities of war reporting amidst censorship and the chaos of military operations. Through vivid imagery and emotional depth, he depicts the harrowing scenes of retreating armies, civilian suffering, and the transformation of young men as they confronted the brutal realities of war. This initial section introduces the personal and collective traumas of those involved, foreshadowing the broader examinations of bravery, loss, and responsibility that will unfold throughout the work. Gibbs's commitment to capturing the stark truths of battle positions the book as an essential reflection on the human cost of war. (This is an automatically generated summary.)
534 ## - ORIGINAL VERSION NOTE
Note about original Original publication data not identified
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term World War, 1914-1918
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term World War, 1914-1918 -- Great Britain
856 40 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://www.gutenberg.org/ebooks/3317">https://www.gutenberg.org/ebooks/3317</a>

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