Hopes and Fears for Art (Registro nro. 45819)

Detalles MARC
000 -LEADER
fixed length control field 02284cam a22003253u 4500
001 - CONTROL NUMBER
control field 3773
003 - CONTROL NUMBER IDENTIFIER
control field UtSlPG
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20260610133116.0
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS
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007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
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008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
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040 ## - CATALOGING SOURCE
Original cataloging agency UtSlPG
041 #7 - LANGUAGE CODE
Language code of text/sound track or separate title en
Source of code iso639-1
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number N
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Morris, William,
Dates associated with a name 1834-1896
245 10 - TITLE STATEMENT
Title Hopes and Fears for Art
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Salt Lake City, UT :
Name of producer, publisher, distributor, manufacturer Project Gutenberg,
Date of production, publication, distribution, manufacture, or copyright notice 2003
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource :
Other physical details multiple file formats
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Carrier type code cr
Source rdacarrier
500 ## - GENERAL NOTE
General note Release date is 2003-02-01
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note The lesser arts -- The art of the people -- The beauty of life -- Making the best of it -- The prospects of architecture in civilization.
508 ## - CREATION/PRODUCTION CREDITS NOTE
Creation/production credits note Transcribed from the 1919 Longmans, Green and Co. edition by David Price
520 ## - SUMMARY, ETC.
Summary, etc. "Hopes and Fears for Art" by William Morris is a collection of lectures delivered in the late 19th century. The work primarily explores the importance of decorative arts and their relationship to daily life, the labor process, and society as a whole. Morris highlights the need for art to be accessible and meaningful to the general populace, rather than being confined to the elite or existing solely for decorative purposes. The opening of the text sets the stage for Morris' exploration of art and its significant impact on human existence. He emphasizes that while the so-called "greater arts" like architecture, painting, and sculpture may be noble, they have become divorced from the more practical, decorative arts that fill everyday life with beauty and meaning. Morris argues for a reintegration of these arts with daily labor and stresses that the creation of beauty in work enhances the dignity of labor itself. He challenges the current state of art, which he perceives as declining into triviality, and expresses a hopeful vision for the future where art and craftsmanship can regenerate and inspire a collective appreciation for beauty in life. (This is an automatically generated summary.)
534 ## - ORIGINAL VERSION NOTE
Note about original Original publication data not identified
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Art
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Arts and crafts movement
856 40 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://www.gutenberg.org/ebooks/3773">https://www.gutenberg.org/ebooks/3773</a>

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