Touch and Go: A Play in Three Acts (Registro nro. 46262)

Detalles MARC
000 -LEADER
fixed length control field 02399cam a22003013u 4500
001 - CONTROL NUMBER
control field 4216
003 - CONTROL NUMBER IDENTIFIER
control field UtSlPG
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20260610133123.0
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS
fixed length control field m
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
fixed length control field cr n
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 260607r2003||||utu|||||o|||||||||||||| d
040 ## - CATALOGING SOURCE
Original cataloging agency UtSlPG
041 #7 - LANGUAGE CODE
Language code of text/sound track or separate title en
Source of code iso639-1
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number PR
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Lawrence, D. H.
Fuller form of name (David Herbert),
Dates associated with a name 1885-1930
245 10 - TITLE STATEMENT
Title Touch and Go: A Play in Three Acts
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Salt Lake City, UT :
Name of producer, publisher, distributor, manufacturer Project Gutenberg,
Date of production, publication, distribution, manufacture, or copyright notice 2003
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource :
Other physical details multiple file formats
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Carrier type code cr
Source rdacarrier
500 ## - GENERAL NOTE
General note Release date is 2003-07-01
508 ## - CREATION/PRODUCTION CREDITS NOTE
Creation/production credits note Produced by Douglas Levy, and David Widger
520 ## - SUMMARY, ETC.
Summary, etc. "Touch and Go: A Play in Three Acts" by D. H. Lawrence is a theatrical work crafted during the early 20th century, reflective of post-World War I sentiments. The play addresses the complexities of class struggle, particularly focusing on the dynamics between labor and capital within a mining community, and questions the essence of human identity beyond societal roles and expectations. The opening introduces a range of characters, including Gerald Barlow and Willie Houghton, who engage in a debate concerning freedom, contentment, and the plight of coal miners, setting the stage for conflicts centered around social justice and individual agency. At the start of the play, a gathering unfolds in the market-place of a Midlands mining village on a Sunday morning. Willie Houghton addresses a group of colliers, expressing frustration over their lack of awareness regarding their own freedom and future. He paints a grim picture of their potential fate as “numbered slaves” in a compound, igniting conversations about complacency and the need for collective action. Meanwhile, characters such as Gerald Barlow and Oliver Turton are introduced, creating interwoven relationships and dialogues that explore personal and socio-political themes. This opening sets a poignant tone, suggesting that underlying the everyday lives of these characters is a profound struggle for dignity and identity against the backdrop of industrialization and class conflict. (This is an automatically generated summary.)
534 ## - ORIGINAL VERSION NOTE
Note about original Original publication data not identified
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term English drama
856 40 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://www.gutenberg.org/ebooks/4216">https://www.gutenberg.org/ebooks/4216</a>

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