The Galleries of the Exposition (Registro nro. 46717)

Detalles MARC
000 -LEADER
fixed length control field 02229cam a22003133u 4500
001 - CONTROL NUMBER
control field 4672
003 - CONTROL NUMBER IDENTIFIER
control field UtSlPG
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20260610133129.0
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS
fixed length control field m
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
fixed length control field cr n
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 260607r2003||||utu|||||o|||||||||||||| d
040 ## - CATALOGING SOURCE
Original cataloging agency UtSlPG
041 #7 - LANGUAGE CODE
Language code of text/sound track or separate title en
Source of code iso639-1
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number N
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Neuhaus, Eugen,
Dates associated with a name 1879-1963
245 14 - TITLE STATEMENT
Title The Galleries of the Exposition
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Salt Lake City, UT :
Name of producer, publisher, distributor, manufacturer Project Gutenberg,
Date of production, publication, distribution, manufacture, or copyright notice 2003
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource :
Other physical details multiple file formats
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Carrier type code cr
Source rdacarrier
500 ## - GENERAL NOTE
General note Release date is 2003-11-01
508 ## - CREATION/PRODUCTION CREDITS NOTE
Creation/production credits note This etext was produced by David A. Schwan
520 ## - SUMMARY, ETC.
Summary, etc. "The Galleries of the Exposition" by Eugen Neuhaus is a critical review of the artworks exhibited in the Palace of Fine Arts at the Panama-Pacific International Exposition, likely written in the early 20th century. This work delves into the artistic contributions of various nations, presenting a comprehensive analysis of paintings, sculpture, and graphic arts displayed during the exposition, while also reflecting on the evolving role of art and the appreciation of both historical and contemporary works. The opening of the book sets the stage for a thorough exploration of the art exhibition, highlighting the challenges and triumphs associated with gathering a diverse collection of artworks from around the world. Neuhaus emphasizes the importance of this exposition in providing a retrospective look at the development of easel painting and the significance of comparative analysis in understanding different artistic movements. He provides a thoughtful critique of the arrangements and presentation of the artworks and articulates a desire to guide viewers in their appreciation of the varied styles and historical contexts, aiming to bridge the gap between artists and the public through informed observation. (This is an automatically generated summary.)
534 ## - ORIGINAL VERSION NOTE
Note about original Original publication data not identified
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Panama-Pacific International Exposition (1915 : San Francisco, Calif.)
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Art -- Exhibitions
856 40 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://www.gutenberg.org/ebooks/4672">https://www.gutenberg.org/ebooks/4672</a>

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