Wagner's "Tristan und Isolde": An Essay on the Wagnerian Drama (Registro nro. 49823)

Detalles MARC
000 -LEADER
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001 - CONTROL NUMBER
control field 7834
003 - CONTROL NUMBER IDENTIFIER
control field UtSlPG
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20260610133213.0
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS
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007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
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008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
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040 ## - CATALOGING SOURCE
Original cataloging agency UtSlPG
041 #7 - LANGUAGE CODE
Language code of text/sound track or separate title en
Source of code iso639-1
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number ML
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Hight, George Ainslie,
Dates associated with a name 1851-1937
245 10 - TITLE STATEMENT
Title Wagner's "Tristan und Isolde": An Essay on the Wagnerian Drama
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Salt Lake City, UT :
Name of producer, publisher, distributor, manufacturer Project Gutenberg,
Date of production, publication, distribution, manufacture, or copyright notice 2005
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource :
Other physical details multiple file formats
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Carrier type code cr
Source rdacarrier
500 ## - GENERAL NOTE
General note Release date is 2005-04-01
508 ## - CREATION/PRODUCTION CREDITS NOTE
Creation/production credits note Tiffany Vergon, Charles Aldarondo, Cam Venezuela, and the Online Distributed Proofreading Team
520 ## - SUMMARY, ETC.
Summary, etc. "Wagner's 'Tristan und Isolde': An Essay on the Wagnerian Drama" by George Ainslie Hight is a critical examination of Richard Wagner's dramatic works, likely written in the early 20th century. This essay serves as a primer for newcomers interested in Wagner's artistry, aiming to clarify the distinct elements that set his compositions apart from previous operatic traditions, particularly in the context of "Tristan und Isolde." Hight highlights the need for a deeper understanding of Wagner's aims and the challenges faced by audiences conditioned by earlier French and Italian operas. The beginning of the essay sets the tone for Hight's exploration into Wagner's philosophy and artistry, emphasizing the necessity of altering one's perception to appreciate Wagner's innovations. Hight argues that an understanding of Wagner's work requires an unlearning of contemporary operatic preconceptions and calls for readers to engage with the emotional depths conveyed through Wagner’s music and drama. The initial chapters introduce various themes including the significance of Wagner's theoretical writings and the nature of Wagner's dramatic expression, discussing the broader implications of his work in the context of art and societal values. Hight portrays Wagner not only as a composer but as a reformer of dramatic art, urging readers to comprehend the organic unity of the arts he pursued in his dramatic structures. (This is an automatically generated summary.)
534 ## - ORIGINAL VERSION NOTE
Note about original Original publication data not identified
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Wagner, Richard, 1813-1883
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Wagner, Richard, 1813-1883. Tristan und Isolde
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Opera
856 40 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://www.gutenberg.org/ebooks/7834">https://www.gutenberg.org/ebooks/7834</a>

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