Modern Painting (Registro nro. 50147)

Detalles MARC
000 -LEADER
fixed length control field 02799cam a22003133u 4500
001 - CONTROL NUMBER
control field 8162
003 - CONTROL NUMBER IDENTIFIER
control field UtSlPG
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20260610133218.0
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS
fixed length control field m
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
fixed length control field cr n
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 260607r2005||||utu|||||o|||||||||||||| d
040 ## - CATALOGING SOURCE
Original cataloging agency UtSlPG
041 #7 - LANGUAGE CODE
Language code of text/sound track or separate title en
Source of code iso639-1
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number ND
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Moore, George,
Dates associated with a name 1852-1933
245 10 - TITLE STATEMENT
Title Modern Painting
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Salt Lake City, UT :
Name of producer, publisher, distributor, manufacturer Project Gutenberg,
Date of production, publication, distribution, manufacture, or copyright notice 2005
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource :
Other physical details multiple file formats
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Carrier type code cr
Source rdacarrier
500 ## - GENERAL NOTE
General note Release date is 2005-05-01
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note Whistler -- Chavannes, Millet, and Manet -- The failure of the nineteenth century -- Artistic education in France and England -- Ingres and Corot -- Monet, Sisley, Pissaro, and the decadence -- Our academicians -- The organisation of art -- Art and science -- Royalty in art -- Art patrons -- Picture dealers -- Mr. Burne-Jones and the Academy -- The alderman in art -- Religiosity in art -- The camera in art -- The new English art club -- A great artist [Charles Keene] -- Nationality in art -- Sex in art -- Mr. Steer's exhibition -- Claude Monet -- Notes: Mr. Mark Fisher. A portrait by Mr. Sargent. An orchid by Mr. James. The Whistler album. Ingres -- Some Japanese prints -- The new art criticism -- Long ago in Italy.
508 ## - CREATION/PRODUCTION CREDITS NOTE
Creation/production credits note E-text prepared by Eric Eldred, Marc D'Hooghe, Charles Franks, and the Online Distributed Proofreading Team
520 ## - SUMMARY, ETC.
Summary, etc. "Modern Painting" by George Moore is a critical examination of the evolving art scene, primarily focusing on the development of painting in the late 19th century. Moore explores the works and influences of significant artists, with a keen interest in figures like James Whistler and his contemporaries. This work reflects the author's sharp insights on aesthetics and the transitions in artistic philosophy during this period. At the start of the book, Moore introduces his subject by reflecting on his long engagement with the enigmatic James Whistler, highlighting the complexities of Whistler's character and artistic philosophy. Through an in-depth analysis, Moore seeks to demystify Whistler’s approach, contrasting it with traditional artistic practices. He also juxtaposes Whistler's elegant nocturnes and portraits with those of other prominent artists, revealing a broader commentary on the state of modern art in his time. The opening sets a contemplative tone, indicating that the work will delve into both individual artistry and the larger cultural implications of art in society. (This is an automatically generated summary.)
534 ## - ORIGINAL VERSION NOTE
Note about original Original publication data not identified
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Painting
856 40 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://www.gutenberg.org/ebooks/8162">https://www.gutenberg.org/ebooks/8162</a>

No hay ítems disponibles.