The Literary Remains of Samuel Taylor Coleridge, Volume 2 (Registro nro. 50515)
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| fixed length control field | 03457cam a22003373u 4500 |
| 001 - CONTROL NUMBER | |
| control field | 8533 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | UtSlPG |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20260610133223.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS | |
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| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
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| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 260607r2005||||utu|||||o|||||||||||||| d |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | UtSlPG |
| 041 #7 - LANGUAGE CODE | |
| Language code of text/sound track or separate title | en |
| Source of code | iso639-1 |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | PR |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Coleridge, Samuel Taylor, |
| Dates associated with a name | 1772-1834 |
| 245 14 - TITLE STATEMENT | |
| Title | The Literary Remains of Samuel Taylor Coleridge, Volume 2 |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Salt Lake City, UT : |
| Name of producer, publisher, distributor, manufacturer | Project Gutenberg, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2005 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 1 online resource : |
| Other physical details | multiple file formats |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Media type code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Carrier type code | cr |
| Source | rdacarrier |
| 500 ## - GENERAL NOTE | |
| General note | Release date is 2005-07-01 |
| 505 0# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Shakspeare, with introductory matter on poetry, the drama, and the stage -- Notes on Ben Jonson -- Beaumont and Fletcher -- On the Prometheus of Aeschylus -- Note on Chalmer's Life of Daniel -- Bishop Corbet -- Notes on Selden's Table Talk -- Note on theological lectures of Benjamin Wheeler, D. D. -- Note on a sermon on the prevalence of infidelity and enthusiasm, by Walter Birch, B.D. -- Fenelon on charity -- Change of the climates -- Wonderfulness of prose -- Notes on Tom Jones -- Jonathan Wild -- Barry Cornwall -- The primitive Christian's address to the cross -- Fuller's holy state -- Fuller's profane state -- Fuller's appeal of injured innocence -- Fuller's church history -- Asgill's argument -- Introduction to Asgill's defence upon his expulsion from the House of Commons -- Notes on Sir Thomas Browne's Religio Medici -- Notes on Sir Thomas Browne's Garden of Cyrus -- Notes on Sir Thomas Browne's Vulgar errors. |
| 508 ## - CREATION/PRODUCTION CREDITS NOTE | |
| Creation/production credits note | Etext Produced by Jonathan Ingram, Clytie Siddall and the Online<br/>Distributed Proofreading Team<br/><br/>HTML file produced by David Widger |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | "The Literary Remains of Samuel Taylor Coleridge, Volume 2" by Coleridge is a scholarly collection of essays, lectures, and notes written in the early 19th century. This volume focuses predominantly on the literary critique and analysis of renowned playwrights like Shakespeare, Ben Jonson, and Beaumont and Fletcher, delving into their respective contributions to poetry and drama, as well as offering insights on poetry's essence, form, and function. At the start of this volume, Coleridge presents an extract from a letter in which he reflects on the originality and impact of his previous lectures on Shakespeare, asserting that his unique insights into the interplay of judgment and genius are often overlooked or misattributed. He continues with a detailed exploration of what constitutes poetry, contrasting it with prose and science. Coleridge elaborates on Shakespeare's creative genius, emphasizing the significance of emotional resonance and the role of artistic expression in capturing the complexity of human experiences. As he establishes a framework for understanding literary works, he also critiques the public taste and societal influences that shape perceptions of art, stressing the importance of a critic's reverence and intellectual rigor when approaching the study of great literary figures. (This is an automatically generated summary.) |
| 534 ## - ORIGINAL VERSION NOTE | |
| Note about original | Original publication data not identified |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Literature -- History and criticism |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Shakespeare, William, 1564-1616 -- Criticism and interpretation |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Coleridge, Henry Nelson, |
| Dates associated with a name | 1798-1843 |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://www.gutenberg.org/ebooks/8533">https://www.gutenberg.org/ebooks/8533</a> |
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